Barad's ' "To Male Man Mishi" was released on its scheduled release date, March 12, 2013. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since To Male Man Mishi only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Australia. Based on our statistics, To Male Man Mishi's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With To Male Man Mishi by Barad having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cheghad Asheghetam | Blackcats Edvin | D♭ Minor | 8 | 12A | 99 BPM | ||
| Negahe Khas - Remix Version | Alireza Pouya, Nariman Mohseni | C Minor | 9 | 5A | 120 BPM | ||
| Baa Siyaasat | Sepideh | G Minor | 9 | 6A | 117 BPM | ||
| Delbastam | Sina Shabankhani | B♭ Minor | 8 | 3A | 123 BPM | ||
| Range Sal | Sina Shabankhani | B♭ Minor | 8 | 3A | 172 BPM | ||
| Ramezoon | Sandy | B♭ Minor | 9 | 3A | 93 BPM | ||
| Lozoomi Nadare | TM Bax | G Minor | 7 | 6A | 125 BPM | ||
| Jam E Zendegi | Farshid Amin | B♭ Minor | 9 | 3A | 180 BPM | ||
| Sargardoon | Eddie Attar | F Minor | 8 | 4A | 115 BPM | ||
| Mimiram | Pouya | D Minor | 6 | 7A | 148 BPM | ||
| Mahsa | Hamed Pahlan | B Minor | 7 | 10A | 159 BPM | ||
| Delam Ashegh Shode | Havash | D Minor | 9 | 7A | 104 BPM | ||
| Alesoono Valesoon | Saeed Mohammadi | A Minor | 8 | 8A | 125 BPM | ||
| Chera Nemiraghsi, Zane Ziba, Baroon Barooneh | Shahram Shabpareh | A Minor | 9 | 8A | 119 BPM | ||
| Khoda Yeki Yar Yeki | Elcid | A Minor | 7 | 8A | 125 BPM | ||
| Ma Bahalim | Shahab Mozaffari | F Minor | 7 | 4A | 147 BPM | ||
| Sultan | Sami Beigi | D♭ Major | 8 | 3B | 103 BPM | ||
| Havas Part | Sina Derakhshande | B Minor | 9 | 10A | 105 BPM | ||
| Amene | Hamed Pahlan, Mahmoud Jahan | C Major | 8 | 8B | 140 BPM | ||
| Rize Rize | Pouya | B♭ Minor | 8 | 3A | 119 BPM | ||
| Aziz Beshin Be Kenaram | Roozbeh Nematollahi | E♭ Minor | 7 | 2A | 100 BPM | ||
| Chin Chin | Omid Jahan | B♭ Minor | 9 | 3A | 130 BPM | ||
| Mikhamet | Emad Talebzadeh | C Major | 8 | 8B | 195 BPM | ||
| Be to Marboot Nist | Sami Beigi | B Major | 9 | 1B | 102 BPM | ||
| Roum Nemisheh | Davood Behboodi | A Minor | 8 | 8A | 125 BPM |