Overture Ruy Blas, Op. 95 by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner Song Details

"Overture Ruy Blas, Op. 95" by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner had its release date on May 4, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner's "Mendelssohn: Symphony No. 5 "Reformation", Overture Ruy Blas, Calm Sea & Prosperous Voyage" album is number 1 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Overture Ruy Blas, Op. 95 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Overture Ruy Blas, Op. 95 by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -18.17 dB
Acousticness: 79%
Danceability: 8%
Energy: 22%
Instrumentalness: 90%
Liveness: 10%
Loudness: 70%
Speechiness: 4%
Valence: 4%

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