"Favus Distillans Ursula Virgo: Répons" by Hildegard von Bingen, Brigitte Lesne, Discantus had its release date on September 16, 2003. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anonymous, Brigitte Lesne, Discantus's "Hortus Deliciarum (Chants Grégoriens Du XIIe S.)" album is number 4 out of 21. On top of that, France appears to be the country where this track was created. Favus Distillans Ursula Virgo: Répons is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Favus Distillans Ursula Virgo: Répons by Hildegard von Bingen, Brigitte Lesne, Discantus to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O viriditas digiti dei | Hildegard von Bingen, Sequentia, Barbara Thornton, Benjamin Bagby | E Minor | 1 | 9A | 129 BPM | ||
| Carrying Celadus / Honor His Memory | Joseph Loduca | F♯ Major | 1 | 2B | 124 BPM | ||
| Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
| Antiphona O, beata infantia | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Tereza Havlíková | F Minor | 0 | 4A | 91 BPM | ||
| Cloister’s Echoing Anthem | Gregorian Chanting Monks, The Chanting Monk | A Minor | 1 | 8A | 77 BPM | ||
| Cherubic Hymn | Pavel Chesnokov, Tenebrae, Nigel Short | D Minor | 0 | 7A | 167 BPM | ||
| Judas mercator pessimus, ITV 59: No. 1, Judas mercator pessimus osculo petiit Dominum | Tomás Luis de Victoria, Pro Musica, Szabó Dénes | G Minor | 1 | 6A | 76 BPM | ||
| Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM | ||
| Binchois: Amours mercy de trespout non pooir | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Minor | 1 | 12A | 88 BPM | ||
| Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 87 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| 3 Khora: No. 2, Lyubov Svyataya (3 Choruses: Sacred Love) | Georgy Sviridov, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | D Major | 2 | 10B | 83 BPM | ||
| Cantigas de Santa Maria: Como o Nome da Virgen | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | D Minor | 1 | 7A | 68 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Magnificat | John Dunstable, Choeur des Moniales de Pecs | C Major | 1 | 8B | 65 BPM | ||
| Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | F♯ Minor | 1 | 11A | 81 BPM | ||
| Introït "Dignus est Agnus" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F♯ Major | 1 | 2B | 126 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| Beatus Franciscus | Jeronimo Aliseda, The Rose Ensemble, Jordan Sramek | G Minor | 2 | 6A | 86 BPM | ||
| Gloriose virginis Marie | Leonel Power, La Reverdie | C Major | 6 | 8B | 144 BPM | ||
| Antiphon "O quam mirabilis est" | Hildegard von Bingen, Anonymous 4 | A Major | 0 | 11B | 134 BPM | ||
| Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
| Anne Boleyn's Songbook: Stabat mater dolorosa | Josquin des Prez, Alamire, David Skinner | E♭ Major | 2 | 5B | 83 BPM | ||
| Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM |