"Swamps Of Sadness" by Giorgio Moroder had its release date on 1984. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Never Ending Story". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Swamps Of Sadness is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swamps Of Sadness by Giorgio Moroder having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Every Big City - From "To Live And Die In L.A." Soundtrack | Wang Chung | B♭ Minor | 7 | 3A | 131 BPM | ||
| In the Sea of Corruption | Joe Hisaishi | C Minor | 1 | 5A | 105 BPM | ||
| In Transit - Instrumental/2003 Digital Remaster | Phil Oakey, Giorgio Moroder | A Major | 9 | 11B | 142 BPM | ||
| Threnody in X | The X-Files | D Minor | 7 | 7A | 180 BPM | ||
| Tie Him Up | Adrian Johnston | C Major | 2 | 8B | 75 BPM | ||
| We've Got Company | London Philharmonic Orchestra, Wendy Carlos | A Major | 2 | 11B | 86 BPM | ||
| Lamenta | Mark Snow | D Minor | 1 | 7A | 71 BPM | ||
| Extase | Clayfists | D Major | 1 | 10B | 135 BPM | ||
| The Wheel | Giorgio Moroder | A♭ Major | 7 | 4B | 89 BPM | ||
| Weird Smile | Doreano | F Minor | 1 | 4A | 125 BPM | ||
| You Scared Me, Ben | Adrian Johnston | C Major | 2 | 8B | 75 BPM | ||
| Jennifer's Friend | Goblin | C Major | 5 | 8B | 101 BPM | ||
| Green Fields | Evgeniy Petrov, Ferro | D♭ Major | 1 | 3B | 137 BPM | ||
| Slipping Away | Michael Andrews | A Minor | 1 | 8A | 95 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| In The Space Capsule (The Love Theme) - Remastered 2011 | Queen | D Major | 4 | 10B | 107 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| Steinway | Tofiq Mikayilzade, Ted Boyarskiy | F Minor | 2 | 4A | 42 BPM | ||
| Hellraiser | Christopher Young | A♭ Major | 1 | 4B | 89 BPM | ||
| Unicas Oportunidades | Mutua Admiración | D♭ Major | 0 | 3B | 68 BPM | ||
| Dreaming of Fiji | Philip Glass | G Minor | 0 | 6A | 96 BPM | ||
| Theme from Friday the 13th, Pt. 3 | Michael Zager, Harry Manfredini | F Major | 7 | 7B | 126 BPM | ||
| Haunted Piano | Rob | A♭ Major | 2 | 4B | 115 BPM | ||
| Saturation | Joel Sandro, Joel | F Minor | 2 | 4A | 95 BPM | ||
| Void Whisper | Kevin G | D♭ Major | 4 | 3B | 120 BPM |