"Murder Becoming An Art Form" by Gavin Villarreal had its release date on June 1, 2010. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Murder Becoming An Art Form's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gavin Villarreal's "Industrial Jazz (A Modern Opera)" album is number 10 out of 13. On top of that, United States appears to be the country where this track was created. The popularity of Murder Becoming An Art Form is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Murder Becoming An Art Form by Gavin Villarreal to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chicago Nights Without Words | Jazz & Co. | D Major | 2 | 10B | 81 BPM | ||
| Muted Field | Alejanda Hernández | C Major | 2 | 8B | 114 BPM | ||
| We Belong To Each Other | Daniel Herskedal, Eyolf Dale, Helge Andreas Norbakken | B♭ Minor | 1 | 3A | 79 BPM | ||
| Stroll in the Rain | Jim Ally | C Minor | 6 | 5A | 80 BPM | ||
| Lost | Yei | C Major | 0 | 8B | 99 BPM | ||
| Group Frosty | acro jazz laboratories | B Major | 0 | 1B | 174 BPM | ||
| Process Sax | Goulburn | B Major | 0 | 1B | 174 BPM | ||
| House Coloured | Goulburn | B Major | 0 | 1B | 174 BPM | ||
| After the Rain, Softly | Blue Window Trio | D Major | 2 | 10B | 81 BPM | ||
| Piano Bar | Ibiza Players Lounge | F Minor | 2 | 4A | 80 BPM | ||
| Sometime in Cairo | Harper Trio, Maria-Christina Harper, Josephine Davies, Evan Jenkins | D Major | 4 | 10B | 150 BPM | ||
| Jazz Vibes For Chilling | Swing Jazz | B♭ Major | 3 | 6B | 80 BPM | ||
| Vis à vis | Restaurant jazz sensation | E Minor | 2 | 9A | 132 BPM | ||
| Luminate Secrets | Baxter Max | B Major | 0 | 1B | 174 BPM | ||
| Elevator Dreams | Chill Sync, DREAM WRLD | B Major | 3 | 1B | 111 BPM | ||
| Welcome | Love Loungery | C Major | 0 | 8B | 85 BPM | ||
| Amazing Grace | Walt Ruggieri | G Major | 4 | 9B | 135 BPM | ||
| Midnight Gnossiennes I | Moo Moo Jazz Club | A Minor | 3 | 8A | 80 BPM | ||
| Hands - 2016 Version | Bugge Wesseltoft | A♭ Minor | 1 | 1A | 141 BPM | ||
| Roma | Michel Godard, Steve Swallow | A♭ Major | 1 | 4B | 76 BPM | ||
| Creative Medley | Goulburn | B Major | 0 | 1B | 174 BPM | ||
| Carillon dei bicchieri | Vadalà, Robert Tiso | C Minor | 3 | 5A | 89 BPM | ||
| Brass Hotel | The Silent Brass | B♭ Minor | 2 | 3A | 61 BPM | ||
| Long Walk Home | Mark Dorricott | A Minor | 0 | 8A | 138 BPM | ||
| Blues sur Seine | Paolo Fresu, Richard Galliano, Jan Lundgren | A Minor | 0 | 8A | 77 BPM |