"The Imperial March - From "Star Wars: The Empire Strikes Back"" by John Williams, Berliner Philharmoniker had its release date on February 4, 2022. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Williams, Berliner Philharmoniker's "John Williams: The Berlin Concert" album is number 18 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Imperial March - From "Star Wars: The Empire Strikes Back" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Imperial March - From "Star Wars: The Empire Strikes Back" by John Williams, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
| Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
| Escapades for Alto Saxophone and Orchestra from "Catch Me If You Can": Movement 3: Joy Ride | John Williams, Dan Higgins, Martin Grubinger, Michael Valerio, Recording Arts Orchestra of Los Angeles | G Major | 2 | 9B | 127 BPM | ||
| The Pig and the Farmer | Melbourne Symphony Orchestra, Nigel Westlake | A♭ Major | 1 | 4B | 95 BPM | ||
| Levels | Emiliana Harlow, Emily Harlow | D Major | 3 | 10B | 115 BPM | ||
| Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Toréadors | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 4 | 7A | 119 BPM | ||
| Coriolan, Op. 62: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
| Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 88 BPM | ||
| Stargate Overture | HeimburgerMusic | C Major | 1 | 8B | 89 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | ||
| Medley - Bats / Rango Theme / Ride Of The Valkyries / An Der Schonen Blauen Donau, OP.314 | Herbert von Karajan | D Major | 5 | 10B | 152 BPM | ||
| The Orient Express | Patrick Doyle | A♭ Major | 4 | 4B | 82 BPM | ||
| Con Contratiempos | Armonias | D Major | 3 | 10B | 68 BPM | ||
| "Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
| Main Title | Trevor Jones | D Minor | 3 | 7A | 93 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| E.T.: Flying Theme | John Williams, Boston Pops Orchestra | E Minor | 2 | 9A | 68 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| An der schönen blauen Donau, Waltz, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Superman March - From "Superman" / Live At Walt Disney Concert Hall, Los Angeles / 2019 | John Williams, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 6 | 7B | 62 BPM | ||
| Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | B♭ Major | 3 | 6B | 128 BPM | ||
| Pelagia's Song | Stephen Warbeck, Orchestra, Nick Ingman | C Major | 2 | 8B | 79 BPM | ||
| Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 3 | 3B | 87 BPM |