Gad Tidhar's 'Sand' had a release date set for November 1, 2017. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The song is number 4 out of 7 in Baharim by Gad Tidhar. Going off of the ISRC code of this track, we detected that the origin of this track is from Israel. In terms of popularity, Sand is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sand by Gad Tidhar is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Been There | Adnan Joubran | B♭ Minor | 5 | 3A | 103 BPM | ||
| Ma Alli Woultilou | Amer Ammouri | G Major | 4 | 9B | 104 BPM | ||
| Kamar | Morocco Sounds | G Minor | 2 | 6A | 79 BPM | ||
| في هويد الليل | Omar Khairat | E Minor | 3 | 9A | 139 BPM | ||
| Safar | Driss El Maloumi | D Minor | 3 | 7A | 104 BPM | ||
| Taakht | Yashar Etaati, Annar Etaati, Negar Kharkan | D Major | 2 | 10B | 92 BPM | ||
| E-Tarabe | Azzedine El Maghrabi | G Major | 4 | 9B | 82 BPM | ||
| Ammi Ya Bayya Il Ward | Amer Ammouri | F Major | 4 | 7B | 101 BPM | ||
| Khaief Aool Eli Fi Albi | Ahmed Nasr, Ihab Saleh | B♭ Minor | 4 | 3A | 119 BPM | ||
| Oud and Biva | Marina Toshich | G Minor | 3 | 6A | 83 BPM | ||
| Yom | Or Mualem | G Minor | 2 | 6A | 81 BPM | ||
| Arabian Dance | The Gurdjieff Ensemble, Levon Eskenian | D Minor | 0 | 7A | 151 BPM | ||
| Marée Haute - Marée Basse | Ablaye Cissoko, Kiya Tabassian, Constantinople | G Minor | 2 | 6A | 81 BPM | ||
| Lilly | Donya Golestani | G Minor | 3 | 6A | 83 BPM | ||
| Taqsîm Maqâm Hijâz Kâr, pt. 3 | Omar Bashir | F Minor | 2 | 4A | 137 BPM | ||
| First Meeting | Charbel Rouhana, The Beirut Oriental Ensemble | F Major | 1 | 7B | 129 BPM | ||
| Sweet Ga | Yaron Pe'er | C Minor | 1 | 5A | 179 BPM | ||
| The legend of the ocean and the moon | part a | Faran Ensemble, Yuval Tubi, Gad Tidhar, Roy Smila, Refael Ben-Zichry | G Major | 3 | 9B | 126 BPM | ||
| La Ilaha Illah Lah/Nigun Le Mashiakh | Yuval Ron | D Minor | 1 | 7A | 112 BPM | ||
| Taqsîm au quanoun | Ensemble Ibn Arabi | E♭ Minor | 5 | 2A | 130 BPM | ||
| Alai Jaan | Qais Essar | A Minor | 6 | 8A | 90 BPM | ||
| Aster | Donya Golestani | G Minor | 2 | 6A | 81 BPM | ||
| Zohar | MOR, Amit Weiner | G Minor | 2 | 6A | 81 BPM | ||
| Gipsy Caravan Intro (Qanun Taqasim) | Itai Armon, Gal Hever | G Minor | 2 | 6A | 81 BPM | ||
| The Past is Present | Joseph Tawadros | C Major | 4 | 8B | 100 BPM |