Rekha Rani's ' "Bujhata Maletri Mein Hoibu" was released on its scheduled release date, May 25, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Hat Jaai Budhari Mein" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Bujhata Maletri Mein Hoibu's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bujhata Maletri Mein Hoibu by Rekha Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fakiri Wala Raah Baalka | Mukesh Pattiwala, Rekha Rani | G Major | 8 | 9B | 111 BPM | ||
| Godlas Dhondhi Par Godanwa | Lado Madheshiya | F Major | 9 | 7B | 75 BPM | ||
| Mora Gharwa Me Devra Jawan Bate | Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Surma Sarela | Song 73 | Deepak Chamoli | DEEPAK CHAMOLI OFFICIAL | D♭ Major | 9 | 3B | 172 BPM | ||
| Disco Nati | Thakur Raghubir Singh | B Minor | 10 | 10A | 113 BPM | ||
| Tharo Lahngo Rani | Aanandi Lal Bhavel | G Minor | 7 | 6A | 128 BPM | ||
| Cycle Me Cycle Lada Weli | Arvind Akela Kallu Ji | F♯ Minor | 9 | 11A | 112 BPM | ||
| Pagha Turabata Jawaniya | Khesari Lal Yadav, Priyanka Singh | F♯ Minor | 8 | 11A | 93 BPM | ||
| Dilru Kiyan Lana | Karnail Rana, Geeta Bhardwaj | A Major | 8 | 11B | 172 BPM | ||
| Dabdaba 2 | Abhishek Shukla | D Minor | 10 | 7A | 155 BPM | ||
| Gori Mukhadi - Pahadi | Rakesh Joshi | B Major | 8 | 1B | 105 BPM | ||
| Javne Mile Tavne Raja | Rekha Rani | C Major | 10 | 8B | 79 BPM | ||
| Date Badi Ki Gadi Ladi | Arvind Akela Kallu Ji | F♯ Minor | 9 | 11A | 160 BPM | ||
| Teri Aakhya Ka Yo Kajal | DC Madana | A♭ Minor | 10 | 1A | 140 BPM | ||
| Chamba Sheher - From "Rut Barsala" | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Zompuye | Diwan Siwan | A Minor | 7 | 8A | 100 BPM | ||
| Boka Bigral Ba | Bijli Rani, Rekha Rani | E Major | 7 | 12B | 140 BPM | ||
| Ae Bhauji Jaldi Se Karada Mor Gawanwa | Bijali Rani, Rekha Rani | F♯ Major | 6 | 2B | 154 BPM | ||
| Dhake Kamariya Harihar Sariya Khinch Lele Raja Ji | Uday Uttam Yadav | D♭ Minor | 9 | 12A | 149 BPM | ||
| Rah Mein Nikal Chala | Rajesh Rajnish | D♭ Major | 9 | 3B | 76 BPM | ||
| Gajab Gadrail Biya Chauri | Amit Patel | G Major | 10 | 9B | 95 BPM | ||
| Umawatiye Charkhiye | Sarla Dangi, Rajeev Negi | C Major | 9 | 8B | 178 BPM | ||
| Shaadi Na Karab | Rekha Rani | E♭ Minor | 6 | 2A | 125 BPM | ||
| Jogira Saaro Ra - Ra - Ra | Radhe Shyam Rasiya, Nisha | B♭ Minor | 9 | 3A | 91 BPM | ||
| Paihanab Shameej Salwar | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM |