Suresh Wadkar's ' "Aina Kahe" was released on its scheduled release date, May 14, 2016. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Baidyanath Dash's "Gud Boy (Original Motion Picture Soundtrack)" album is number 4 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Aina Kahe is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Aina Kahe by Suresh Wadkar to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhokha Dele Kenta Lagsi 2 | Ruku Suna | B Minor | 8 | 10A | 86 BPM | ||
| Mate Na Pachari | Pami, Bapi | D♭ Major | 9 | 3B | 122 BPM | ||
| Tumaku Dekhila Pare | Shasank Sekhar, Antara Chakraborty | A Major | 6 | 11B | 94 BPM | ||
| Sanja Naingale | Debashis | D Minor | 6 | 7A | 144 BPM | ||
| Are Are Vaisa Galo | Zubeen Garg | B♭ Minor | 7 | 3A | 172 BPM | ||
| Prema Kale Emiti Ka | Krishna | F Major | 8 | 7B | 170 BPM | ||
| Rakate Lekhichi Naa | Udit N., Anuradha P. | F Minor | 7 | 4A | 99 BPM | ||
| Akhi Bujile Jeun Muhante | Kumar Bapi | A♭ Minor | 7 | 1A | 78 BPM | ||
| Bore Basi | Vivek Sharma, Champa Nishad | A♭ Major | 9 | 4B | 81 BPM | ||
| Biha Hemi Ta Tate Hemi | ASHISH KUMBHAR, Antara Chakraborty | B♭ Minor | 10 | 3A | 80 BPM | ||
| Kemiti Kahibi | Nibedita, R. S. Kumar | B Minor | 8 | 10A | 75 BPM | ||
| Chalu Chalu Mun | BISHNU MOHAN KABI | A♭ Major | 8 | 4B | 66 BPM | ||
| Subha Mangalam | Barsha Priyadarshini, Anubhav Mohanty | C Major | 10 | 8B | 128 BPM | ||
| Tu Chalijibu To Sashughara | Mohammad Aziz | G Major | 5 | 9B | 154 BPM | ||
| Fasigala Abhimanyu | Sunidhi Chauhan | A Major | 8 | 11B | 183 BPM | ||
| Sattalo Sattalo Nanna Paligi Sattalo | Music Mailari | B♭ Major | 10 | 6B | 120 BPM | ||
| Premara Basna (From "Mathare Dei Pata Odhani") | Bibhu Kishore, Tapu Mishra | A♭ Minor | 8 | 1A | 87 BPM | ||
| Khanti Odia Baja - From "Biswanath" | Abhijit Majumdar, Rojalin Sahu | B Minor | 9 | 10A | 154 BPM | ||
| Black Board | Priya Darshan, Archana Padhi | A Minor | 10 | 8A | 144 BPM | ||
| To Pain Nebi Mu | Ira Mohanty, Bibhu, Soyansha | B♭ Minor | 10 | 3A | 140 BPM | ||
| Tu Mo Hrudaya Ra Bhasha - Male Version | Madhav Das | G Minor | 4 | 6A | 132 BPM | ||
| Baisi Pahacha | Sourav Bharadwaj, Bimal Kumar Sahoo, Debajyoti Nayak, Swarnalata Sahoo | D♭ Minor | 6 | 12A | 80 BPM | ||
| Jhumi Jhumi Jauchi | Shasank Sekhar | E Major | 8 | 12B | 116 BPM | ||
| Mo Sesha Thikana Tu | Sourav Bharadwaj | C Major | 7 | 8B | 96 BPM | ||
| O Priya Sathire | Old Sambalpuri | A♭ Minor | 9 | 1A | 158 BPM |