"Fauré: Dolly, Op. 56: I. Berceuse" by Gabriel Fauré, Laurence Fromentin, Dominique Plancade had its release date on July 4, 2024. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Fauré: Dolly, Op. 56: I. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 76 in the song's album "Piano Music". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Fauré: Dolly, Op. 56: I. Berceuse is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fauré: Dolly, Op. 56: I. Berceuse by Gabriel Fauré, Laurence Fromentin, Dominique Plancade having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scott: 2 Pieces, Op. 47: No. 1, Lotus Land | Cyril Scott, Leif Ove Andsnes | E♭ Minor | 0 | 2A | 66 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | ||
| 6 Romances, Op. 28 TH 99: No. 3, Why? (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Valses poeticos: No. 3. Slow Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
| Granados: Escenas románticas: No. 6, Epílogo | Enrique Granados, Daniel Ligorio | E♭ Major | 0 | 5B | 108 BPM | ||
| Brahms: 3 Intermezzi, Op. 117: II. Andante non troppo e con molto espressione in B-Flat Minor | Johannes Brahms, Michel Dalberto | B♭ Minor | 0 | 3A | 89 BPM | ||
| Ravel: Le Tombeau de Couperin, M. 68: V. Menuet | Maurice Ravel, Bertrand Chamayou | G Major | 0 | 9B | 107 BPM | ||
| Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | D♭ Minor | 0 | 12A | 75 BPM | ||
| Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | ||
| Loving in the Rain | Zbyňka Šolcová | E Minor | 1 | 9A | 75 BPM | ||
| 3 Tone-Pictures, Op. 5: No. 1, The Lake at Evening | Charles Griffes, Solungga Liu | E Major | 0 | 12B | 64 BPM | ||
| Petite suite en 15 images: IV. Berceuse aux etoiles | Jacques Ibert, Hae Won Chang | C Major | 0 | 8B | 73 BPM | ||
| Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| Églogue | Franz Liszt, André Laplante | A♭ Major | 0 | 4B | 74 BPM | ||
| Debussy Arabesque I | Fabio D'Andrea | C Major | 0 | 8B | 70 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM |