"The Last Fragment" by Chris Tilton, Assassin's Creed had its release date on November 17, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 28 out of 30 in Assassin's Creed Nexus (Original Game Soundtrack) by Chris Tilton, Assassin's Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The Last Fragment is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Last Fragment by Chris Tilton, Assassin's Creed is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| King Bran's Final Voyage | Marcin Przybyłowicz | D Minor | 2 | 7A | 75 BPM | ||
| An Uncertain Present | Lorne Balfe, Assassin's Creed | C Minor | 2 | 5A | 120 BPM | ||
| Game Over | Steve Jablonsky | B♭ Major | 0 | 6B | 74 BPM | ||
| Ivory Fountain | Trayus Digital | D Minor | 1 | 7A | 80 BPM | ||
| Oasis | Adam Burgess, Overwatch, Blizzard Entertainment | C Minor | 5 | 5A | 110 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Advanced Soldier Overture | Harry Gregson-Williams | D Major | 7 | 10B | 99 BPM | ||
| Detroit City Ambient (Part 1) | Michael McCann | C Major | 1 | 8B | 90 BPM | ||
| Dragons | Neal Acree, Overwatch, Blizzard Entertainment | G Minor | 4 | 6A | 131 BPM | ||
| New Worlds | Jack Wall | F Major | 2 | 7B | 120 BPM | ||
| Shadows And Conspiracies | Marcin Przybyłowicz | G Major | 3 | 9B | 115 BPM | ||
| Death in the Darkness | Jeremy Soule, The Elder Scrolls | F Major | 0 | 7B | 130 BPM | ||
| The Pact Laid Waste | Maclaine Diemer | A Major | 1 | 11B | 96 BPM | ||
| The City's Secret | Greg Edmonson | F Minor | 3 | 4A | 131 BPM | ||
| For Blood, for Glory, for Honor | Jeremy Soule | C Minor | 5 | 5A | 150 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Death from Above | Kaveh Cohen, Michael Nielsen | D Major | 4 | 10B | 120 BPM | ||
| The Bridge | David García Díaz | F Major | 2 | 7B | 82 BPM | ||
| Roll Call | Jeff Beal | E♭ Major | 1 | 5B | 92 BPM | ||
| Come Away with Me | Silviu Michaels, Sade | D♭ Major | 3 | 3B | 110 BPM | ||
| Butterfly (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM | ||
| Alaska | Declan Seth, Morgan Richards | G Major | 4 | 9B | 95 BPM | ||
| Escape From The Fade | Trevor Morris | G Major | 5 | 9B | 147 BPM | ||
| That's Amore | Nico Barker, DJ Niko | A Minor | 8 | 8A | 87 BPM |