Nicola Vaccai, Xavier Palacios's 'Practical Vocal Method: Lesson III Intervals of the Sixth in G Major' had a release date set for May 1, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vaccai: Practical Vocal Method (Accompaniments with Melody Added for Low Voice: Baritone) by Nicola Vaccai, Xavier Palacios. The song's track number on the album is #11 out of 42 tracks. Practical Vocal Method: Lesson III Intervals of the Sixth in G Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Practical Vocal Method: Lesson III Intervals of the Sixth in G Major by Nicola Vaccai, Xavier Palacios has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Practical Vocal Method: Lesson III Intervals of the Sixth in G Major being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adage les deux pigeons | Sissonne Music | G Major | 2 | 9B | 105 BPM | ||
| Coda's Concentration | Hugo Focus, Shusuke Inari | F Minor | 2 | 4A | 126 BPM | ||
| Plie 1 (3/4) | Marina Surgan | E♭ Major | 3 | 5B | 129 BPM | ||
| Plie - 3/4 | Venti Petrov | G Major | 2 | 9B | 129 BPM | ||
| Girandola | Donna Floria | E♭ Major | 0 | 5B | 125 BPM | ||
| Just Another Chance | Franco Botta | E♭ Minor | 1 | 2A | 75 BPM | ||
| Santa Luzia | Stéphanie Brillon | F Minor | 3 | 4A | 133 BPM | ||
| Warm Up 4/4 (Intermezzo Op.76 n°7) | The Ballet Pianist | A Minor | 1 | 8A | 70 BPM | ||
| Let Me Call You Sweetheart | Piano Man Tom | A Minor | 0 | 8A | 63 BPM | ||
| Hino Nº 76 LR | Lectorium Rosicrucianum | D Major | 1 | 10B | 82 BPM | ||
| Chaos Of Life | Jochen Schlierkamp | A Minor | 1 | 8A | 119 BPM | ||
| The Negotiation | Samiro Powel | C Major | 0 | 8B | 168 BPM | ||
| Sketch | Chan Wei Tuck | A♭ Major | 0 | 4B | 119 BPM | ||
| TJ 75 | Lectorium Rosicrucianum | C Major | 1 | 8B | 199 BPM | ||
| In the Mood | Maurizio Lucchetti | F Major | 0 | 7B | 132 BPM | ||
| Mother Jupiter | Maria Sirmione | F Major | 2 | 7B | 113 BPM | ||
| Giulietta e Romeo: Act II: No. 11: Stagnate, o lagrime | Nicola Vaccai, Roberto Abbado | G Major | 3 | 9B | 127 BPM | ||
| Their Own Tought | Adrian Kolch | F♯ Minor | 1 | 11A | 69 BPM | ||
| Simple Problem | Mariana Ghiaccio | F Major | 0 | 7B | 185 BPM | ||
| 莫札特: 小星星變奏曲, 作品K. 265 | 紀鈞瀚 (Bryan Chi) | C Major | 0 | 8B | 145 BPM | ||
| Plies | 이현정, Hyeon Jung Lee | D♭ Major | 2 | 3B | 135 BPM | ||
| Hush, Hush, My Cubs | Latvian Traditional, Anda Eglīte | G Major | 0 | 9B | 71 BPM | ||
| Kasko | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Cradle song - Harfenversion | Klassische Musik Maestro Mozy | G Major | 0 | 9B | 128 BPM | ||
| Tales From the Vienna Woods, Op. 325 | Laura Sanz | C Major | 1 | 8B | 69 BPM |