T. S. Aswini Sastry, T. S. Rohini Sastry's 'Chandra Astothra Sathanama Stothram' had a release date set for November 1, 2010. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Navagraha Sthothras". In this album, this song's track order is #25. Furthermore, we believe that the track originated from India. Chandra Astothra Sathanama Stothram is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chandra Astothra Sathanama Stothram by T. S. Aswini Sastry, T. S. Rohini Sastry having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siva | Kasinatha Sarma & N.S. Prakash Rao | F Major | 2 | 7B | 123 BPM | ||
| Taantrikam Raatree Sooktam | S.Prakash Kaushik | C Major | 3 | 8B | 70 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Narsingh Stotram | kartik ojha | B♭ Major | 4 | 6B | 183 BPM | ||
| Chandragraha Moolamanthram | T. S. Rohini Sastry, T. S. Aswini Sastry | G Major | 3 | 9B | 81 BPM | ||
| Sri Varahi Kavacham | J. Bhakatavatsalam | E Major | 3 | 12B | 122 BPM | ||
| Shiva Mansa Puja | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Vishnu Suktham | Sri Hari Atchutha Rama Sastry | B Major | 5 | 1B | 112 BPM | ||
| Kateelu Durga | Bangalore Sisters | G Major | 4 | 9B | 62 BPM | ||
| Suryanarayana Suprabhatam | Sridevi | F Minor | 8 | 4A | 175 BPM | ||
| Sri Subramanya Swami Karavalambam | Randhnini Roshini | D Major | 3 | 10B | 180 BPM | ||
| Sri Venkatesh Stotra Sanskrit | DEEPA RANE | F♯ Major | 2 | 2B | 174 BPM | ||
| Nrisimhashtakam | Prof. Thiagarajan, Sanskrit Scholars | F♯ Major | 5 | 2B | 128 BPM | ||
| Sangalpa Suktham | T. S. Rohini Sastry, T. S. Aswini Sastry | B♭ Major | 1 | 6B | 107 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Sri Neela Saraswathi Stotram | K.S. Surekha | F♯ Minor | 5 | 11A | 170 BPM | ||
| Adhyayam, Pt. 4 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 85 BPM | ||
| Keelakam | S.Prakash Kaushik | C Major | 3 | 8B | 105 BPM | ||
| Bhagavad Gita Adhyay, Pt. 14 | Shrirang Bhave | E♭ Major | 1 | 5B | 106 BPM | ||
| Agajananna Padmarkkam | Mathangi Sathyamoorthi | D♭ Minor | 7 | 12A | 147 BPM | ||
| Saneeswara Graha Ashtothra Namavali | T. S. Aswini Sastry, T. S. Rohini Sastry, Barathwaja Sastry, Sankara Sastry | G Major | 3 | 9B | 85 BPM | ||
| Adhyayam, Pt .13 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM | ||
| Deham | Grihsam | E♭ Minor | 1 | 2A | 80 BPM | ||
| Ganapathi Dhyanam | Hari Achuta Rama Sastry | E Minor | 2 | 9A | 80 BPM | ||
| Sukalambaradham | Bombay Sisters | F♯ Major | 2 | 2B | 91 BPM |