Mariko Takahashi's ' "ラスト・メール" was released on its scheduled release date, June 4, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mariko Takahashi's "method" album is number 5 out of 9. On top of that, Japan appears to be the country where this track was created. Based on our statistics, ラスト・メール's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of ラスト・メール by Mariko Takahashi to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 二千一夜 | Masashi Sada | D♭ Major | 4 | 3B | 105 BPM | ||
| 過ぎ去りし想い出は | Hakudo Otsuka | B♭ Minor | 6 | 3A | 179 BPM | ||
| なごり雪 | Kosetsu Minami | F Major | 4 | 7B | 134 BPM | ||
| 悲しいめぐり逢い | 田川寿美 | B Minor | 7 | 10A | 113 BPM | ||
| 心みだれて -Say it with flowers- | Akiko Kobayashi | D♭ Major | 4 | 3B | 146 BPM | ||
| 雪國 | Kenji Niinuma | E♭ Minor | 4 | 2A | 73 BPM | ||
| 何もない手のひらは | 湯原昌幸 | F♯ Minor | 7 | 11A | 109 BPM | ||
| 来夢来人 | 小柳ルミ子 | D Minor | 7 | 7A | 128 BPM | ||
| 涙くれないか | Keisuke Yamauchi | C Minor | 6 | 5A | 76 BPM | ||
| 見送った季節のあとで | Hakudo Otsuka | B♭ Minor | 6 | 3A | 179 BPM | ||
| 君がここにいてほしい - 2022 Remaster | Kiyotaka Sugiyama | F♯ Major | 5 | 2B | 80 BPM | ||
| Chugaku Sannensei | Masako Mori | A Minor | 6 | 8A | 110 BPM | ||
| 優しい女には毒がある | Takajin Yashiki | A♭ Major | 5 | 4B | 114 BPM | ||
| 愛がこわいの | Miyuki Nagai | A♭ Minor | 5 | 1A | 109 BPM | ||
| 君の住んでいた街 | 因幡晃 | C Major | 2 | 8B | 85 BPM | ||
| 忘れ雪 | Off Course | A Minor | 4 | 8A | 140 BPM | ||
| 東京発 | Takao Horiuchi | C Major | 3 | 8B | 48 BPM | ||
| ミカンが実る頃 | 藍美代子 | F Minor | 8 | 4A | 147 BPM | ||
| 残照(Live at 東京国際フォーラム 2021) | Keisuke Yamauchi | D Minor | 3 | 7A | 80 BPM | ||
| 旅的途上(たびのとじょう) | Eigo Kawashima | C Major | 2 | 8B | 69 BPM | ||
| 逢いたくて北国へ | 小柳ルミ子 | D♭ Minor | 7 | 12A | 131 BPM | ||
| 女性は愛に生きる | 江夏旭 | B♭ Major | 5 | 6B | 84 BPM | ||
| 桜前線 | 小柳ルミ子 | A Major | 7 | 11B | 128 BPM | ||
| とまり木 | Yasuko Naito | B♭ Minor | 6 | 3A | 78 BPM | ||
| 退職の日 | Masashi Sada | C Major | 2 | 8B | 146 BPM |