Ana Egge's 'Turning Away' had a release date set for July 30, 2015. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Turning Away's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 10 in Bright Shadow by Ana Egge. In terms of popularity, Turning Away is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Turning Away by Ana Egge is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| People Talkin' | Hurray For The Riff Raff | F Major | 1 | 7B | 74 BPM | ||
| Coast | Eliza Gilkyson | B Major | 2 | 1B | 153 BPM | ||
| Mighty Storm | Dead Horses | G Major | 3 | 9B | 95 BPM | ||
| Even Though | Joan Shelley | B♭ Minor | 0 | 3A | 147 BPM | ||
| Lodestar | Birds of Chicago | D Major | 4 | 10B | 85 BPM | ||
| Garage Flowers | I Draw Slow | B Major | 4 | 1B | 178 BPM | ||
| Wild Blue Wind | Erin Rae | D♭ Major | 4 | 3B | 121 BPM | ||
| Three Chords and Truth | Lynn Miles | A♭ Major | 4 | 4B | 136 BPM | ||
| Love Gone Wrong | Lula Wiles | B Major | 3 | 1B | 155 BPM | ||
| Night Singing | Sara Watkins | B♭ Minor | 1 | 3A | 86 BPM | ||
| Hands on a Grain of Sand | Amelia Curran | D♭ Major | 3 | 3B | 143 BPM | ||
| Don't You Sleep | Ana Egge | E Major | 1 | 12B | 85 BPM | ||
| Cover Me | Kim Taylor | C Major | 2 | 8B | 119 BPM | ||
| Flat Top Guitar | Ana Egge | G Major | 5 | 9B | 85 BPM | ||
| Both Sides Now | Lucy Wainwright Roche, Suzzy Roche | G Major | 3 | 9B | 104 BPM | ||
| Superlover | Luther Dickinson, Allison Russell, Birds of Chicago | E Major | 3 | 12B | 149 BPM | ||
| Magnolia | Joan Shelley, Julia Purcell | E Major | 2 | 12B | 85 BPM | ||
| Desperado | Lucy Wainwright Roche, Suzzy Roche | B Major | 2 | 1B | 132 BPM | ||
| Summer Rain | The Brother Brothers | F Major | 3 | 7B | 79 BPM | ||
| Olive | Sara Marie Rorie | D♭ Minor | 1 | 12A | 118 BPM | ||
| Left on the Porch | Auris Serranot | A♭ Major | 1 | 4B | 136 BPM | ||
| Isn’t That Enough | Joan Shelley | D♭ Major | 1 | 3B | 99 BPM | ||
| Young In All The Wrong Ways | Sara Watkins | E♭ Major | 6 | 5B | 152 BPM | ||
| Shine a Different Way | Patty Griffin | D Major | 3 | 10B | 169 BPM | ||
| Katie's Blues | Clay Parker and Jodi James | D Major | 2 | 10B | 138 BPM |