"Venice Gold Heist" by John Powell had its release date on January 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "The Italian Job (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Venice Gold Heist is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Venice Gold Heist by John Powell having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clue #2 | Theodore Shapiro, Mark Graham | C Minor | 3 | 5A | 104 BPM | ||
| A Flight at the Opera | Joe Kraemer | E Minor | 3 | 9A | 141 BPM | ||
| Tangiers | John Powell | C Major | 9 | 8B | 174 BPM | ||
| Walk Through Darkness | Alex Wurman | E♭ Major | 1 | 5B | 65 BPM | ||
| Going For A Ride | David Newman | F Major | 2 | 7B | 135 BPM | ||
| The Catch | Christopher Young | A♭ Minor | 1 | 1A | 123 BPM | ||
| Get Him Talking | Clinton Shorter | B♭ Major | 3 | 6B | 129 BPM | ||
| Logan's Run | Marco Beltrami, Pete Anthony | C Major | 8 | 8B | 150 BPM | ||
| Teflon Corner | Marco Beltrami | G Minor | 3 | 6A | 156 BPM | ||
| Second Chance | Ramin Djawadi | D Minor | 1 | 7A | 143 BPM | ||
| The Glider | Bear McCreary | C Minor | 3 | 5A | 122 BPM | ||
| Siberia | Graeme Revell | C Minor | 4 | 5A | 133 BPM | ||
| Not A Chauffeur | Jeff Beal | B♭ Major | 3 | 6B | 118 BPM | ||
| Flowers For Claire | Jeff Beal | F Major | 2 | 7B | 90 BPM | ||
| The Victor | Jerry Goldsmith | C Major | 2 | 8B | 66 BPM | ||
| Cobalt Cowboy | Ramin Djawadi | E Minor | 5 | 9A | 120 BPM | ||
| Mother Country | Martin Phipps | E♭ Minor | 1 | 2A | 57 BPM | ||
| Welcome to the ISS | Jon Ekstrand | D♭ Minor | 2 | 12A | 100 BPM | ||
| Sealing The Exits | Daniel Pemberton | F Minor | 9 | 4A | 115 BPM | ||
| Strip Chase | John Powell, David Buckley | F Minor | 7 | 4A | 79 BPM | ||
| It's Only Pain | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Eshkeri: Lamia's Lair | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 5 | 10B | 149 BPM | ||
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM |