On January 1, 1987, the song "Charge Account - Alternate Take" was released by Dave Lambert, Buddy Stewart, Red Rodney's Be-Boppers. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Charge Account - Alternate Take's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Early BeBop: The Essential Keynote Collection 3 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Charge Account - Alternate Take is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Charge Account - Alternate Take by Dave Lambert, Buddy Stewart, Red Rodney's Be-Boppers is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charleston Alley | Lambert, Hendricks & Ross | F Major | 5 | 7B | 66 BPM | ||
| Echoes from the Past | Oldies Playing | A♭ Minor | 1 | 1A | 67 BPM | ||
| Fascinating Rhythm | Mark Murphy | C Major | 3 | 8B | 97 BPM | ||
| (There Is) No Greater Love | Ray Brown Trio, Etta Jones, Russell Malone | D♭ Major | 1 | 3B | 142 BPM | ||
| Keepin' Out Of Mischief Now | Shirley Horn | D Minor | 3 | 7A | 63 BPM | ||
| Sombra de lo que fue y ya no es | Eterna Ceniza | A Major | 3 | 11B | 95 BPM | ||
| I Wished On The Moon | Billy Eckstine | A♭ Major | 1 | 4B | 118 BPM | ||
| In A Mellow Tone - Vocal Version | Lambert, Hendricks & Ross | A♭ Major | 3 | 4B | 122 BPM | ||
| Serenity | Pepper Adams | F Minor | 2 | 4A | 104 BPM | ||
| Maeke Me a Present of You | Austyn Ziemann | B♭ Major | 2 | 6B | 106 BPM | ||
| Susurros del alma | Ryzon Sound | F Minor | 5 | 4A | 100 BPM | ||
| Tipsy Song ("Eine Nacht in Venedig", Op. 117) (feat. Marika Lichter) | Simone Kopmajer, Marika Lichter | B♭ Major | 2 | 6B | 127 BPM | ||
| East of the Sun and West of the Moon | Donna Byrne | C Major | 3 | 8B | 129 BPM | ||
| Going out of my head | Vince Guaraldi Quartet | G Minor | 3 | 6A | 80 BPM | ||
| Airport | TransferX | D♭ Minor | 2 | 12A | 130 BPM | ||
| I'm Beginning to See the Light | Phineas Newborn Jr. | A♭ Major | 3 | 4B | 150 BPM | ||
| Hello My Lovely - Instrumental | Charlie Haden Quartet West | F Major | 3 | 7B | 110 BPM | ||
| The Silent Snowfall | Timeless Tone | C Major | 3 | 8B | 173 BPM | ||
| Wintersong | Gerry Mulligan, Paul Desmond Quartet | A♭ Major | 2 | 4B | 95 BPM | ||
| A Light Reprieve - 2005 Remaster | Ike Quebec | F Major | 2 | 7B | 120 BPM | ||
| Counter Clockwise | Gene Ammons, Sonny Stitt | C Minor | 3 | 5A | 99 BPM | ||
| Stolen Moments | Mark Murphy | F Minor | 5 | 4A | 100 BPM | ||
| Snowfall | Charlie Barnet | D♭ Major | 2 | 3B | 75 BPM | ||
| Almost Like Being In Love | Lorez Alexandria | A♭ Major | 2 | 4B | 83 BPM | ||
| ブルー・スカイ | Cassandra Wilson | A♭ Major | 3 | 4B | 79 BPM |