It's Time to Face the Abyss
Ash Code
Posthuman
3:41 February 27, 2016
BPM
150
Key
D Major
Camelot
10B

Embed

Share Link

It's Time to Face the Abyss by Ash Code Song Details

Ash Code's 'It's Time to Face the Abyss' had a release date set for February 27, 2016. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Posthuman". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, It's Time to Face the Abyss's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With It's Time to Face the Abyss by Ash Code having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.267 dB
Acousticness
0%
Danceability
49%
Energy
76%
Instrumentalness
93%
Liveness
15%
Loudness
90%
Speechiness
3%
Valence
31%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Empty Shell by Minuit MachineEmpty ShellMinuit MachineD♭ Major93B136 BPM
Almost Nothing by SelofanAlmost NothingSelofanD♭ Major83B160 BPM
Cavemen (Kill Shelter Remix) by Silent Runners, Kill ShelterCavemen (Kill Shelter Remix)Silent Runners, Kill ShelterA♭ Major94B103 BPM
The One You Wanted by SelofanThe One You WantedSelofanC Major88B145 BPM
Dark Mountain by Silent RunnersDark MountainSilent RunnersC Major108B140 BPM
Into the Void by Buzz KullInto the VoidBuzz KullA Minor98A120 BPM
Altar by Second StillAltarSecond StillE Major712B125 BPM
City of Sirens by Shad ShadowsCity of SirensShad ShadowsE♭ Major75B75 BPM
Dare to Defy by Kalte NachtDare to DefyKalte NachtB Minor910A164 BPM
Veil of Lies by DuctapeVeil of LiesDuctapeB Minor610A85 BPM
Le Moment (S Y Z Y G Y X Remix) by Antipole, Eirene, Paris Alexander, S Y Z Y G Y XLe Moment (S Y Z Y G Y X Remix)Antipole, Eirene, Paris Alexander, S Y Z Y G Y XB Minor910A130 BPM
Luxurious Bleedings by QualLuxurious BleedingsQualG Major89B120 BPM
Away by IAMTHESHADOWAwayIAMTHESHADOWD Minor87A140 BPM
Oh Boy by Sixth JuneOh BoySixth JuneC Major58B120 BPM
Honey by Minuit MachineHoneyMinuit MachineD♭ Minor812A130 BPM
Cave by HapaxCaveHapaxD Minor107A138 BPM
Burdened with Usury by Terminal SeriousBurdened with UsuryTerminal SeriousB Minor610A124 BPM
Dry Your Eyes by Ash CodeDry Your EyesAsh CodeC Major108B150 BPM
PTSD by Sydney ValettePTSDSydney ValetteG Major99B155 BPM
Double Negative by Second StillDouble NegativeSecond StillB♭ Major96B182 BPM
Nightmare by DarkNightmareDarkE♭ Major85B75 BPM
Beautiful Crash by Shad ShadowsBeautiful CrashShad ShadowsE♭ Major75B75 BPM
Dark Romance by Digital DrvgsDark RomanceDigital DrvgsD♭ Major93B85 BPM
Chaos by Minuit MachineChaosMinuit MachineF Major97B128 BPM
Southern Ennui by Last GraspSouthern EnnuiLast GraspD♭ Major73B150 BPM
ISRC
uscgh1691559
Label
L-M Records/RCA Records