"Concert Piece for Trombone and Piano" by Guy Ropartz, Jonathan Feldman, Joseph Alessi had its release date on April 26, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Warren Deck, Virginia Perry Lamb, Jonathan Feldman's "Joseph Alessi Plays Bernstein, Peaslee, Rush, Ewazen, Massenet, Ropartz, Bernstein and Elkjer" album is number 10 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Concert Piece for Trombone and Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert Piece for Trombone and Piano by Guy Ropartz, Jonathan Feldman, Joseph Alessi to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | E♭ Major | 0 | 5B | 76 BPM | ||
| Sonata for Trumpet and Piano: 2. Allegretto | Eric Ewazen, Joseph Foley, Bonnie Anderson | F♯ Major | 0 | 2B | 69 BPM | ||
| Bass Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | E Minor | 1 | 9A | 84 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM | ||
| Southland Sketches: III. Allegretto grazioso | Harry Burleigh, Calefax Reed Quintet | F Major | 1 | 7B | 88 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: II. Allegro animato | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | D♭ Major | 0 | 3B | 66 BPM | ||
| Prélude funébre | Guy Ropartz, André Isoir | B Major | 0 | 1B | 64 BPM | ||
| Fantasía Chalumeau | Gabriel Andrés Gallegos | B♭ Major | 0 | 6B | 80 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
| 3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Eccles: Sonata in G Minor: IV. Presto | Mark Morton | G Minor | 2 | 6A | 117 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Haydn: Trumpet Concerto In E Flat - Ii Andante | Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Musiques au jardin: VI. Rondes et chants | Guy Ropartz, Stephane Lemelin | C Major | 1 | 8B | 95 BPM | ||
| Horn Concerto in C Minor, Op. 8: II. Andante | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | F♯ Major | 3 | 2B | 145 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | E♭ Major | 0 | 5B | 128 BPM | ||
| 5 Stücke im Volkston, Op. 102 (Arr. for Oboe & Piano by Stephan Korody-Kreutzer): No. 2, Langsam | Robert Schumann, Nicholas Daniel, Julius Drake | F Major | 0 | 7B | 65 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Marchenbilder (Fairy Tales), Op. 113: IV. Langsam, mit melancholischem Ausdruck | Robert Schumann, Tabea Zimmermann, Hartmut Höll | D Major | 0 | 10B | 134 BPM |