On January 1, 2007, the song "El Dindondero" was released by Rocchetti. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 14 in Estate Latina by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, El Dindondero is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of El Dindondero by Rocchetti is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
| Die Zauberflöte, K. 620: Act II: Der Hölle Rache | Wolfgang Amadeus Mozart, Otmar Suitner, Sylvia Geszty, Staatskapelle Dresden | C Minor | 2 | 5A | 140 BPM | ||
| I puritani, Act I: Son vergin vezzosa | Vincenzo Bellini, Dame Joan Sutherland, Anita Caminada, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 123 BPM | ||
| Don Pasquale - What an Interminable Coming and Going | Gaetano Donizetti, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B♭ Major | 1 | 6B | 139 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act III: "Lyubvi vsye vozrasti pokorni" | Pyotr Ilyich Tchaikovsky, Paata Burchuladze, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | ||
| Le nozze di Figaro - Comic opera in four acts K492 (2000 Remastered Version): Recit: Or bene, ascolta e taci (Susanna/Figaro) | Wolfgang Amadeus Mozart, Glyndebourne Festival Orchestra, Graziella Sciutti, Sesto Bruscantini, Vittorio Gui, Daniel McCoshan, Hugues Cuénod, Ian Wallace, Jeannette Sinclair, Monica Sinclair, Raymond Leppard, Rise Stevens, Sena Jurinac, Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn | C Major | 1 | 8B | 166 BPM | ||
| Berlioz: Les Troyens, Op. 29, H 133, Act 5: Monologue. "Je vais mourir" (Didon) | Hector Berlioz, Philharmonia Orchestra, Rita Gorr, Lawrance Collingwood | C Major | 1 | 8B | 166 BPM | ||
| Don Giovanni, K. 527: Act II: Don Giovanni, a cenar teco (Andante: Il Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna, Dimitris Tiliakos, Vito Priante, Mika Kares | D Minor | 2 | 7A | 124 BPM | ||
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| Verdi: Aida, Act 4: "A lui vivo, la tomba!" (Ramfis, Sacerdoti, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A Minor | 3 | 8A | 90 BPM | ||
| La traviata / Act 3: Addio del passato - Live At Festspielhaus, Salzburg / 2005 | Giuseppe Verdi, Anna Netrebko, Carlo Rizzi, Wiener Philharmoniker | C Major | 1 | 8B | 166 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Major | 3 | 6B | 76 BPM | ||
| Delibes: Lakmé, Act 1: "Miss Rose, Miss Ellen, respectez les clôtures !" (Mrs Bentson, Ellen, Rose, Gérald, Frédéric) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Agnes Disney, Charles Burles, Jean Christophe Benoit, Monique Linval, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 89 BPM | ||
| LARGO AL FACTOTUM (Barber of Seville) - Rossini | Keith Blainville | A Major | 4 | 11B | 147 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Eh via, buffone, non mi seccar" - "Leporello!" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | ||
| Don Giovanni, K. 527: Act II: Da qual tremore insolito (Allegro: Don Giovanni, Coro, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis | B♭ Major | 4 | 6B | 95 BPM | ||
| Il Signor Bruschino, Act I Scene 11: Qui conviene finirla | Vicarelli, Rocchetti, Porrington, Pallen, Fête Galante Baroque Orchestre | C Major | 3 | 8B | 115 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | ||
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 3: Aria - La Vendetta | Donato Di Stefano, Hungarian State Opera Orchestra, Natale de Carolis, Ingrid Kertesi, Jozsef Mukk, Roberto Frontali, Patrizia Pace, Maria Pia Ionata, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 142 BPM | ||
| Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
| L'Italiana in Algeri (the Italian Girl in Algiers), Act II Scene 4: Aria. Ho un gran peso sulla testa [Taddeo, Chorus] | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | A Major | 2 | 11B | 142 BPM | ||
| L'elisir d'amore / Act II: "Eccola!" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 82 BPM |