On June 26, 2018, the song "Majisa Tari Ghoomar" was released by Prakash Mali, Arjun Rao, Sarita Kharwal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Prakash Mali, Arjun Rao, Sarita Kharwal's "Lal Banna Ro Palaniyo" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Majisa Tari Ghoomar's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Majisa Tari Ghoomar by Prakash Mali, Arjun Rao, Sarita Kharwal to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tame Kadiya Badiya Chhadiya | Hariprabodham | E♭ Minor | 6 | 2A | 77 BPM | ||
| Najar Bhar Dekh Le Mujhko Sharan Me Aa Pada Teri | Ranjeet Lohar | G Major | 8 | 9B | 140 BPM | ||
| Bala Tu Hai Anjani Ka Lala (Aarti) | Ram Kumar Lakkha | E Minor | 9 | 9A | 105 BPM | ||
| Jagdamba Rakho Laaj Sharan Main Thari Aayo | Narayan Nandwana | B♭ Minor | 9 | 3A | 75 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Sita Ram Hanuman Sita Ram Hanuman | RJ Shivam | A♭ Major | 10 | 4B | 85 BPM | ||
| Lad Gai Lad Gai Shyam Naal | Deepa Didi | B Major | 9 | 1B | 136 BPM | ||
| Sawai Bhatt Song | Sawai Bhatt | D♭ Major | 8 | 3B | 100 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| O Papi Mann Karle Bhajan - Hindi | Lokendra Chaudhary | E Major | 8 | 12B | 100 BPM | ||
| Chitrakoot Ke Ghat Ghat Pe - Ram Bhajan | Vinod Rathod | F♯ Minor | 8 | 11A | 98 BPM | ||
| Sanwariya Me To Aayo Dwar | Mukesh Mahadeva | F Major | 9 | 7B | 150 BPM | ||
| Shiv Ki Jata Se | Lakhbir Singh Lakha | D♭ Major | 5 | 3B | 89 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM | ||
| Apno Braj Dekhan Ko Aaye Jaiyo | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Patang Udao Ji | Sanjay Mukundgarh, Minakshi Rathore | F♯ Major | 9 | 2B | 106 BPM | ||
| Tere Diwane Aa Gaye | Rajni Rajasthani | E Minor | 8 | 9A | 92 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| Rai Ki Burai Kou Kariyo Ne Bhai | Deshraj Narwariya | E♭ Minor | 7 | 2A | 131 BPM | ||
| Kismat Ka Maara Hoon | Mukesh Bagda | C Minor | 9 | 5A | 142 BPM | ||
| Tharo Nirmal Niramal Pani Narbada Maharani | Maa Narmada Nimadi Bhajan | Ashwin Yadav | B♭ Minor | 6 | 3A | 181 BPM | ||
| Jai Bolo Mahakal Ki | Manish Tiwari | F♯ Minor | 4 | 11A | 94 BPM | ||
| Aaj Jo Thokad Maar Rhe Hain | Raj Pareek | F♯ Major | 9 | 2B | 106 BPM | ||
| Nadol Ri Ashapura Mata | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 96 BPM |