Annette Hanshaw's ' "Lovable and Sweet" was released on its scheduled release date, December 22, 1926. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Lovable and Sweet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Annette Hanshaw's "Here We Go!" album is number 12 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Lovable and Sweet is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lovable and Sweet by Annette Hanshaw to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little White Lies | Annette Hanshaw | C Major | 2 | 8B | 120 BPM | ||
| I Wanna Be Loved by You - Remastered | Helen Kane | A♭ Major | 1 | 4B | 126 BPM | ||
| I've Got Rings on My Fingers | Ada Jones | A♭ Major | 3 | 4B | 176 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| I Ain't Talkin Though It's All over Town | Pearl Bailey | F Minor | 1 | 4A | 106 BPM | ||
| Everybody Loves My Baby (Recorded September, 1924) | Aileen Stanley | A♭ Minor | 1 | 1A | 126 BPM | ||
| Where Is My Man? | Clara Smith | A♭ Major | 3 | 4B | 94 BPM | ||
| I Must Have That Man | Annette Hanshaw | D Major | 2 | 10B | 116 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| Happy Feet | Cab Calloway & His Orchestra | A♭ Major | 3 | 4B | 94 BPM | ||
| Dream Train | Nat Shilkret | B♭ Minor | 2 | 3A | 142 BPM | ||
| The Breeze and I | Jimmy Dorsey & His Orchestra | A♭ Major | 3 | 4B | 94 BPM | ||
| Broadway Melody | Ben Selvin Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
| My Handy Man - Remastered | Ethel Waters | A♭ Major | 6 | 4B | 106 BPM | ||
| If You Were the Only Girl in the World (And I Were the Only Boy) | Rudy Vallee | C Major | 1 | 8B | 145 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| All Of Me | Martha Tilton | F Major | 1 | 7B | 124 BPM | ||
| 'Tain't No Sin (To Dance Around in Your Bones) | Lee Morse, her Blue Grass Boys | A♭ Major | 3 | 4B | 94 BPM | ||
| What Wouldn't I Do for That Man | Annette Hanshaw | A♭ Minor | 1 | 1A | 97 BPM | ||
| Green Eyes | Jimmy Dorsey, Claire Hogan, Kenny Martin | G Major | 1 | 9B | 119 BPM | ||
| Crazy Words - Crazy Tune (Vo-Do-De-O) | Irving Aaronson and His Commanders | E♭ Major | 2 | 5B | 172 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| Red Headed Baby | Dick Robertson & Gene Kardos Orchestra | E♭ Minor | 4 | 2A | 112 BPM | ||
| In My Merry Oldsmobile | Jean Goldkette & His Orchestra | D Major | 3 | 10B | 111 BPM | ||
| Kinda Lonesome - Remastered | Maxine Sullivan | E♭ Major | 0 | 5B | 73 BPM |