Chris Bennett's 'All For Naught' had a release date set for September 15, 2010. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sail Away - The Tahiti Sessions". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. All For Naught is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With All For Naught by Chris Bennett having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chords of Yesterday | Velour JAZZ | B♭ Minor | 1 | 3A | 113 BPM | ||
| Sad To See You Go | Becki Biggins | B♭ Major | 3 | 6B | 115 BPM | ||
| Don't Ask Why | Dena DeRose | C Major | 1 | 8B | 77 BPM | ||
| On Green Dolphin Street | Rosanne N Huan | A♭ Major | 5 | 4B | 130 BPM | ||
| she's a firecracker | Whisper Darling | B♭ Major | 3 | 6B | 115 BPM | ||
| Clouds Know the Way | Mira Rae | C Major | 2 | 8B | 90 BPM | ||
| You Don't Deserve My Love | Eclipse Sinfónico | B♭ Major | 3 | 6B | 79 BPM | ||
| Morning's Embrace | Clover Keys Music | D Minor | 1 | 7A | 183 BPM | ||
| I Know It’s Over | Noelle | B♭ Major | 3 | 6B | 115 BPM | ||
| Happy us | Ralf Gerber | D Major | 6 | 10B | 98 BPM | ||
| Del Sasser | Maureen Budway | D♭ Major | 3 | 3B | 75 BPM | ||
| You Brought A New Kind Of Love To Me | Alison Burns, Martin Taylor | C Major | 2 | 8B | 134 BPM | ||
| I Get Along Without You Very Well | Chris Bennett | E♭ Major | 0 | 5B | 132 BPM | ||
| SMILING TEARS (for Toots) | Fay Claassen | G Major | 1 | 9B | 135 BPM | ||
| Blossom | Stevie Holland | G Major | 4 | 9B | 89 BPM | ||
| The People That You Never Get To Love | Susannah McCorkle | A♭ Major | 1 | 4B | 136 BPM | ||
| Drop the Beat | Rhythmic Muse | D Minor | 2 | 7A | 105 BPM | ||
| An Angel Left | Eclipse Sinfónico | F Major | 3 | 7B | 79 BPM | ||
| Dreams | Rachel Lauren | G Major | 1 | 9B | 122 BPM | ||
| A Hundred Years from Today | Jan Lundgren Trio, Deborah Brown | E♭ Major | 1 | 5B | 70 BPM | ||
| My Witty Sweetheart | luna jazzena | A♭ Major | 5 | 4B | 80 BPM | ||
| Love in Vain | Soesja Citroen | D Minor | 1 | 7A | 141 BPM | ||
| Afterglow Steps | Clover Keys Music | F Minor | 0 | 4A | 77 BPM | ||
| John 3:16-17 | Holy Jazz Vibes | B♭ Major | 3 | 6B | 115 BPM | ||
| I Should Have Known Better (feat. Mario Jose) | Brynn Stanley, Mario Jose | F♯ Major | 3 | 2B | 106 BPM |