Sachet Tandon's 'Hanuman Chalisa' had a release date set for July 21, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Hanuman Chalisa and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Hanuman Chalisa's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Hanuman Chalisa by Sachet Tandon to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangal Murati Ram Dulare | Medi Tuner | D Minor | 6 | 7A | 96 BPM | ||
| Pata Nahi kis Roop mai Aakar Narayan Mil Jayega | Dhruv Muze, Rohan | D♭ Major | 3 | 3B | 80 BPM | ||
| Saanjha - Lofi | Aesthetic Wizz, Sachet Tandon | D♭ Major | 4 | 3B | 84 BPM | ||
| Humare Saath Shree Raghunath | Aviraas | D♭ Major | 7 | 3B | 180 BPM | ||
| Mere Ghar Ram Aaye Hain - Female | Simpal Kharel | A♭ Major | 3 | 4B | 150 BPM | ||
| Radha Bhajan (Premanand Ji Maharaj) | Nilesh Pandey | F Major | 5 | 7B | 115 BPM | ||
| Tum Prem Ho - Female | Simpal Kharel | F♯ Minor | 5 | 11A | 80 BPM | ||
| Mahabali Bajrangbali | Akash Sharma, Akash Rajput | E Major | 9 | 12B | 126 BPM | ||
| Saja Do Ghar Ko Gulshan Sa - Original | Amit Rajpal | C Major | 4 | 8B | 157 BPM | ||
| Shiv Shiv Japaa Kar | Kailash Kher | C Major | 9 | 8B | 90 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini LOFI | Ravi Raj, Bhakti Naam Ras | E♭ Major | 5 | 5B | 135 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Hum Katha Sunate | Saurabh Kumawat | E Minor | 7 | 9A | 92 BPM | ||
| Shirdi Wale Saibaba | Shailendra Bharti | G Major | 7 | 9B | 96 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
| Leja Leja-Madhaniya | Sachet Tandon, Parampara Tandon | G Major | 6 | 9B | 92 BPM | ||
| Adiyogi (The Source of Yoga) | Kailash Kher | B Minor | 5 | 10A | 100 BPM | ||
| Karpurgauram | Amitabh Bachchan, Kailash Kher | F♯ Minor | 7 | 11A | 92 BPM | ||
| Karte Hain Mere Bajrang | Dheeraj Bhandari | A♭ Major | 4 | 4B | 105 BPM | ||
| Nazarbattu - Lofi | Sachin Gupta, Sachet Tandon | D♭ Minor | 5 | 12A | 102 BPM | ||
| Aacha Lage Se Khatu Shyam | Naresh Narsi | C Major | 7 | 8B | 117 BPM | ||
| Shiv Samadhi Mein Baithe | Salim–Sulaiman, Pawandeep Rajan, Muheet Bharti | E Minor | 6 | 9A | 120 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Ram Ji Ke Sath Jo Hanuman Nahin Hote | Lakhbir Singh Lakkha | F♯ Major | 6 | 2B | 163 BPM | ||
| Bhakt Hoon Mahakal Ka - Progressive Trance | Sundeep Gosswami | E♭ Major | 5 | 5B | 178 BPM |