Barkha Rani's 'Balma Ruthe Gailane' had a release date set for November 22, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barkha Rani's "Gaal Se Gaal Milav" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Balma Ruthe Gailane's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Balma Ruthe Gailane by Barkha Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kriya Khiaiti Dil(Gazal) | Rekha Rani, Barkha Rani | E♭ Minor | 7 | 2A | 163 BPM | ||
| Bhairav Nachthe Aangan Me | Prem Anand Chauhan | F♯ Major | 9 | 2B | 126 BPM | ||
| Asamiya Chhori | Manoj Shahri, Vishnu, Monika | D Major | 7 | 10B | 135 BPM | ||
| Wada Karke Na Aane Se Kya Fayda | Kumar Satyam | B♭ Minor | 9 | 3A | 149 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Haan Pyar Hai | Kumar Pritam, Suman Gupta | B Major | 6 | 1B | 116 BPM | ||
| Bolo Sab Jai Mai Ki | Jittu Khare | B Minor | 9 | 10A | 88 BPM | ||
| Sayinya Bhayile Chori | Bijli Rani, Rekha Rani, Barkha Rani | D Major | 7 | 10B | 91 BPM | ||
| Hamar Mithilani - Maithili | Rajeev Ranjan | F♯ Major | 9 | 2B | 105 BPM | ||
| Dil Mera Halak Duba | Pankaj, Monika | A♭ Minor | 6 | 1A | 99 BPM | ||
| Aam Khay Ke Dekhli 2.0 | Satish Das, Savitri Karmakar | G Major | 9 | 9B | 140 BPM | ||
| Choli Mein Tahra Rang Dalem | Guddu Rangila | D♭ Minor | 6 | 12A | 100 BPM | ||
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Jaanu | Heena Dawar, Sohan Bhai Rajawat, Mahi Dawar, Mahendra Singh Chouhan, Urvashi Cholkar | G Minor | 6 | 6A | 130 BPM | ||
| Je Mundeya Minjo Kare Tu Rakhna Dhaara Par Baglu | Karnail Rana, Anupama | A♭ Major | 7 | 4B | 128 BPM | ||
| Ankho Ka Kajal || Old Sambalpuri | Old Sambalpuri | F♯ Major | 9 | 2B | 81 BPM | ||
| Chhono Mono | Vishnu Mandal, Barkha Rani | D♭ Major | 9 | 3B | 85 BPM | ||
| Bhawari Ke Chheda | Aagar Anand, Kanti Miri | D♭ Major | 10 | 3B | 127 BPM | ||
| Aaja Shyam Tu | Halke Ram Kushwah | A♭ Major | 9 | 4B | 142 BPM | ||
| Tor Bina Lage Nahi Manwa | Satish Das | A♭ Major | 10 | 4B | 150 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM | ||
| Hey Mana Daandyu Maa | Manglesh Dangwal, Mukesh Kathait, Janardan Prasad Nautiyal, Birender Singh, Maya Upadhyay, Meena Rana | A Major | 8 | 11B | 80 BPM | ||
| Dil Ke Bat Man Ma | Prem Anand Chauhan | E♭ Minor | 9 | 2A | 76 BPM | ||
| Dil Ma Basalo | Ignesh Kumar | D♭ Major | 9 | 3B | 135 BPM | ||
| Kaha Se Aali Badi Sundar | Pawan | F♯ Minor | 5 | 11A | 181 BPM |