Harry Connick, Jr.'s 'Don't Get Around Much Anymore' had a release date set for January 11, 1989. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Harry Connick, Jr.'s "Music From The Motion Picture When Harry Met Sally..." album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Don't Get Around Much Anymore's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Don't Get Around Much Anymore by Harry Connick, Jr. to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Is There To Say? | Dorothy Dandridge | E♭ Major | 1 | 5B | 70 BPM | ||
| Let's Do It | Eartha Kitt | A♭ Major | 1 | 4B | 97 BPM | ||
| I'll Dream Of You Again | Harry Connick, Jr. | D Minor | 1 | 7A | 110 BPM | ||
| What Kind of Fool Am I | Sammy Davis Jr. | B Minor | 3 | 10A | 94 BPM | ||
| Two Sleepy People | Carmen McRae | F Major | 2 | 7B | 104 BPM | ||
| The Party's Over | Nat King Cole | D♭ Major | 1 | 3B | 95 BPM | ||
| Laura | Charlie Parker | G Major | 3 | 9B | 84 BPM | ||
| At Last | Jaimee Paul, Beegie Adair | F Major | 2 | 7B | 184 BPM | ||
| Manhattan | Blossom Dearie | A♭ Major | 0 | 4B | 103 BPM | ||
| Artificial Flowers | Kevin Spacey | D Minor | 6 | 7A | 178 BPM | ||
| April In Paris | Kurt Elling | B♭ Minor | 3 | 3A | 97 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| My Foolish Heart | Kurt Elling | B♭ Major | 3 | 6B | 82 BPM | ||
| Where Or When | Benny Goodman, Benny Goodman Sextet | A Minor | 0 | 8A | 80 BPM | ||
| Laura | Billy Eckstine | C Major | 1 | 8B | 68 BPM | ||
| Taking a Chance on Love | Jane Monheit | B♭ Minor | 4 | 3A | 173 BPM | ||
| It Had to Be You | Ray Charles | E♭ Major | 2 | 5B | 83 BPM | ||
| Young at Heart | Jimmy Durante | B♭ Major | 3 | 6B | 81 BPM | ||
| Ain't Misbehavin (I'm Savin My Love For You) | Nat King Cole | A♭ Major | 1 | 4B | 83 BPM | ||
| The Summer Wind | Madeleine Peyroux | A♭ Major | 2 | 4B | 100 BPM | ||
| Don't Sit Under the Apple Tree | Glenn Miller | G Major | 2 | 9B | 180 BPM | ||
| A Nightingale Sang In Berkeley Square | The Manhattan Transfer | C Major | 0 | 8B | 77 BPM | ||
| Chattanooga Choo Choo | Glenn Miller | D Minor | 3 | 7A | 148 BPM | ||
| Stardust | Samara Joy | D♭ Major | 2 | 3B | 128 BPM | ||
| Once Upon a Time | Kevin Spacey | B♭ Major | 2 | 6B | 87 BPM |