Herbert Howells, Choir of King's College, Cambridge, The Bach Choir, Heather Harper, Robert Tear, Sir David Willcocks, New Philharmonia Orchestra's 'Howells: Hymnus Paradisi: V. I Heard a Voice from Heaven' had a release date set for January 1, 1970. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Herbert Howells, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra's "Howells: Hymnus Paradisi" album is number 5 out of 6. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Howells: Hymnus Paradisi: V. I Heard a Voice from Heaven is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Howells: Hymnus Paradisi: V. I Heard a Voice from Heaven by Herbert Howells, Choir of King's College, Cambridge, The Bach Choir, Heather Harper, Robert Tear, Sir David Willcocks, New Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nox Arumque | Eric Whitacre, Adrian Kirtley, 2024 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| E'en So, Lord Jesus, Quickly Come (feat. Paul Manz) | The National Lutheran Choir, Paul Manz | B♭ Minor | 1 | 3A | 94 BPM | ||
| All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Utah State University Chamber Singers, Cory Evans | D Major | 0 | 10B | 110 BPM | ||
| Considering Matthew Shepard, Passion: No. 14, Stray Birds | Craig Hella Johnson, Rabindranath Tagore, Conspirare | F♯ Minor | 0 | 11A | 96 BPM | ||
| Wishes | Fraser Wilson, Apollo5 | E Minor | 0 | 9A | 99 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| The Stars Point The Way (feat. Belle Canto) | Cantilon Chamber Choir, Belle Canto | F Major | 1 | 7B | 137 BPM | ||
| The Passing of the Year: No. 1, Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | E Minor | 1 | 9A | 81 BPM | ||
| Five Hebrew Love Songs: Rakut | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | G Major | 0 | 9B | 79 BPM | ||
| Eric Whitacre: Lux aurumque | Eric Whitacre, Schola Cantorum, Tone Bianca Sparre Dahl | D♭ Minor | 1 | 12A | 69 BPM | ||
| They that go down to the sea in ships | Herbert Sumsion, Michael Bloss, Choir of St John's, Elora, Noel Edison | F♯ Minor | 0 | 11A | 62 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| When I Was in Trouble, I Called upon the Lord (Psalm 120) | William Sterndale Bennett, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 81 BPM | ||
| The Crimson Sun | Alexander Campkin, Apollo5 | F Major | 1 | 7B | 82 BPM | ||
| 8 Part-Songs, Op. 119: III. The Blue Bird | Charles Villiers Stanford, Cai Thomas, Pegasus Chamber Choir, Robert Lewis | F♯ Major | 1 | 2B | 61 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| Psalm 136: O Give Thanks Untothe Lord (Lloyd) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A Major | 1 | 11B | 140 BPM | ||
| Quatre Motets sur des thèmes grégoriens, Op. 10: No. 2, Tota pulchra es | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow, Mark Williams | G Minor | 0 | 6A | 59 BPM | ||
| Laudario di Cortona: Venite a laudare (Come and Praise) | Anonymous, Herbert Howells, Oni Wytars Ensemble | G Minor | 4 | 6A | 119 BPM | ||
| Psalm 84: Psalm LXXXIV | Hubert Parry, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 74 BPM | ||
| O Emmanuel (O Emmanuel - 23 December) | Bernadette Farrell, St Martin's Voices, Andrew Earis | E Minor | 2 | 9A | 76 BPM | ||
| Vaughan Williams: 5 English Folk Songs: No. 5, Wassail Song | Ralph Vaughan Williams, London Madrigal Singers, Christopher Bishop | D Major | 2 | 10B | 137 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM |