George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly's ' "Let thy Hand be strengthened, HWV 259: Alleluia" was released on its scheduled release date, November 24, 2002. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Let thy Hand be strengthened, HWV 259: Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Coronation Anthems / Silete Venti" album is number 6 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Let thy Hand be strengthened, HWV 259: Alleluia is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Let thy Hand be strengthened, HWV 259: Alleluia by George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
| Vesperae solennes de Dominica, K. 321: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 116 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
| Stanley / Arr. Defaye: 10 Voluntaries, Op. 6: No. 5, Trumpet Tune in D Major | John Stanley, Maurice André, Jane Parker-Smith | D♭ Minor | 1 | 12A | 100 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | ||
| Dixit Dominus, HWV 232: 1. Dixit Dominus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | B Major | 1 | 1B | 87 BPM | ||
| Ave Maria, Op. 12 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | C Minor | 1 | 5A | 61 BPM | ||
| Vesperae solennes de confessore, K. 339: II. Confitebor | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | E♭ Major | 2 | 5B | 99 BPM | ||
| Water Music Suite No.1 in F, HWV 348: 3b. Andante | George Frideric Handel, Concertgebouw Chamber Orchestra, Simon Preston | F Major | 1 | 7B | 129 BPM | ||
| King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
| Mozart: Great Mass in C Minor, K. 427: I. Kyrie | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée, Natalie Dessay | C Minor | 1 | 5A | 167 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit | Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
| Pergolesi: Stabat Mater: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | A Major | 3 | 11B | 119 BPM | ||
| Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
| Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 76 BPM | ||
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
| Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
| The Creation, Hob.XXI,2: Pt. 3, Praise the Lord, Ye Voices All! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Margaret Lias, Harry Christophers | B♭ Major | 5 | 6B | 114 BPM | ||
| Semele, HWV 58 / Act 1: Endless Pleasure... | George Frideric Handel, Kathleen Battle, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 80 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
| Musique de table, Part III: Overture (Suite) in B-Flat Major, TWV 55:B1: III. Allegresse, vite | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 2 | 3B | 114 BPM | ||
| Requiem, K. 626: VI. Benedictus | Wolfgang Amadeus Mozart, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch, Hans Haselböck, Wiener Philharmoniker, Karl Böhm, Wiener Staatsopernchor | E Major | 1 | 12B | 72 BPM | ||
| Mass in C Minor, K.427 "Grosse Messe" (Ed. Maunder): Et incarnatus est | Wolfgang Amadeus Mozart, Arleen Auger, Academy of Ancient Music, Christopher Hogwood | A Minor | 2 | 8A | 173 BPM | ||
| Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM |