- BPM
- 169
- Key
- B Major
- Camelot
- 1B
Господи, помилуй. Молитва 1-я святого Макария Великого, к Богу Отцу - Молитвы на сон грядущим by Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) Song Details
"Господи, помилуй. Молитва 1-я святого Макария Великого, к Богу Отцу - Молитвы на сон грядущим" by Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) had its release date on October 17, 2003. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Молитвы утренние. Молитвы на сон грядущим, so we believe that "Господи, помилуй. Молитва 1-я святого Макария Великого, к Богу Отцу - Молитвы на сон грядущим" is a single. The popularity of Господи, помилуй. Молитва 1-я святого Макария Великого, к Богу Отцу - Молитвы на сон грядущим is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Господи, помилуй. Молитва 1-я святого Макария Великого, к Богу Отцу - Молитвы на сон грядущим by Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -17.209 dB
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kontakion – Oikos – Synaxarion | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | C Major | 1 | 8B | 89 BPM | |
 | Egomia Megalou Savatou | Christos Kolovos, Constantinos Kolovos | G Major | 3 | 9B | 62 BPM | |
 | Most Holy Lady | Joseph Yazbeck, Rf. Michel Razzouk | C Major | 5 | 8B | 81 BPM | |
 | Ερχόμενος Ο Κύριος | Βυζαντινή Ορχήστρα Αθηνών | D♭ Major | 3 | 3B | 173 BPM | |
 | 04 - Choir Interlude 1 | Kabarnos | A♭ Minor | 2 | 1A | 70 BPM | |
 | Молитва 10-я, ко Пресвятой Богородице. Молитва 11-я, ко святому Ангелу Хранителю - Молитвы на сон грядущим | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | B Major | 2 | 1B | 169 BPM | |
 | Canon Ode 9 for Holy Saturday Matins | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | |
 | End of Service | The Serbian Choral Society Jedinstvo 1839 Kotor | F Major | 2 | 7B | 62 BPM | |
 | Telo Khristovo Primite (Accept the Body of Jesus Christ) | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | |
 | God Is the Lord - The Athonite Godbearing | Timothy Diwema, Athonite Friends | G Major | 2 | 9B | 166 BPM | |
 | Aliluja glas sesti | Pavle Aksentijevic | G Major | 7 | 9B | 107 BPM | |
 | Тропарь Животворящему Кресту (Глас 1) | Голос Византии | B Minor | 2 | 10A | 121 BPM | |
 | The True Light Has Appeared (Sticheron Idiomelon Mode 1, Pt. 4) | Byzantine Ark | F♯ Minor | 1 | 11A | 99 BPM | |
| Молитва 8-я, ко Господу нашему Иисусу Христу - Молитвы утренние | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | B Major | 2 | 1B | 169 BPM | |
 | Τη Υπερμάχω. Κοντάκιον Ήχος Πλ. Δ. | Byzantine Ark | E Minor | 1 | 9A | 102 BPM | |
 | “Έτη Και Έτη…” Μετά Του Β΄ Αντιφώνου | Χορός Βατοπαιδινών Πατέρων | C Major | 0 | 8B | 73 BPM | |
 | Тропарь, кондак Рождеству Пресвятой Богородицы (Византийский распев) | Византийский Хор Аксион Естин | F Minor | 1 | 4A | 112 BPM | |
 | The Triodion Hymn - Byzantine Chant | St. Symeon Orthodox Church Choir | G Major | 1 | 9B | 142 BPM | |
 | المسيح قام للإيصودن، باللحن الخامس | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | D♭ Minor | 3 | 12A | 69 BPM | |
| Aposticha Idiomela (Modes I, II) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | C Major | 3 | 8B | 85 BPM | |
 | Trisagion | Traditional, Choeur des moines du monastère de Valaam | A Minor | 2 | 8A | 75 BPM | |
 | «Φως ιλαρόν…», ήχος β΄ | Choir of Simonopetra | G Major | 3 | 9B | 103 BPM | |
 | Small Litany | St. Tikhon's Mission Choir, Benedict Sheehan | B Major | 3 | 1B | 141 BPM | |
 | Troparion to the 'Donskoy' Icon of the Theotokos | Sergiy Zosimovich Trubachov, PaTRAM Institute Male Choir, Vladimir Gorbik | A♭ Major | 2 | 4B | 144 BPM | |
 | Small Entrance / Troparia and Kontakia | St. John the Baptist Monastery Choir | G Minor | 2 | 6A | 170 BPM |
- ISRC
- RUA100308019
- Label
- L-M Records/RCA Records