On 2005, the song "Tehran" was released by O-Hum. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Tehran's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Aloodeh by O-Hum. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Tehran is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tehran by O-Hum is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asheghune | Radio Tehran | D Major | 3 | 10B | 136 BPM | ||
| Derakhte Sepid | Marjan Farsad | A Minor | 6 | 8A | 172 BPM | ||
| Ala Ya Ayyohal Saghi | O-Hum | D Major | 7 | 10B | 100 BPM | ||
| Tehran, Smile ! | Pallett | D Minor | 3 | 7A | 114 BPM | ||
| Nothing Will Get Better | Hadi Pakzad, Masoud Fayyazzadeh | A Minor | 8 | 8A | 120 BPM | ||
| Naghsh e To Roo ye Aab | Eendo | B Minor | 5 | 10A | 140 BPM | ||
| Monsefane Nist | azbon | B♭ Minor | 7 | 3A | 160 BPM | ||
| Gham Makhor | Eendo | B Minor | 8 | 10A | 150 BPM | ||
| Nabze Asphalt | Peyman Salimi | E♭ Minor | 9 | 2A | 105 BPM | ||
| To Etnedi | Jalboat | A Minor | 5 | 8A | 112 BPM | ||
| Man Koo | The Ways | A Minor | 7 | 8A | 150 BPM | ||
| Clapping | Mehdi Saki | A♭ Minor | 6 | 1A | 117 BPM | ||
| Goftam Gham-e to Daram | O-Hum | C Major | 5 | 8B | 160 BPM | ||
| Hichvaght | Midnight Drips | F Minor | 2 | 4A | 125 BPM | ||
| Koodakaneh - Live in Vienna, 1993 | Farhad Mehrad | D♭ Major | 4 | 3B | 97 BPM | ||
| Saman Booyan | Kābin, Milad Bagheri | D Minor | 4 | 7A | 106 BPM | ||
| Bad Boro | Makan Ashgvari, Amir Saremi | G Minor | 1 | 6A | 101 BPM | ||
| Mibinamet Hanoozam | Kaveh Yaghmaei | D Minor | 6 | 7A | 81 BPM | ||
| Shabha Ke Misoukht | Soheil Nafisi, Peter Soleimanipour | A Minor | 3 | 8A | 171 BPM | ||
| Badeye Shabgir | Triolet Band | E Minor | 6 | 9A | 95 BPM | ||
| Saghi | O-Hum | D Major | 6 | 10B | 80 BPM | ||
| Saghf | Farhad Mehrad | C Minor | 2 | 5A | 81 BPM | ||
| Ten Thousand Miles Away | Peyman Salimi, Eendo | E♭ Major | 7 | 5B | 100 BPM | ||
| Faryad | Milad Derakhshani, Haleh Seyfizadeh | A Minor | 5 | 8A | 116 BPM | ||
| Baran | Peyman Soltani, Shahram Nazeri | D Major | 2 | 10B | 149 BPM |