On December 31, 1995, the song "Temple Love Mood" was released by Lekha Rathnakumar. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 43 in Authentic India, Vol. 2 by Lekha Rathnakumar. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Temple Love Mood is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Temple Love Mood by Lekha Rathnakumar is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sitar In Nature Space | Alma Lin, Flame Timo, Nina Nalo, Sensory Meditation, Jasper Whisper | E Major | 2 | 12B | 49 BPM | ||
| Mrdangam Solo in Adi Tala | Trichy Sankaran | A Major | 5 | 11B | 94 BPM | ||
| Raga kirvani : Tânam | L. Subramaniam | E Major | 2 | 12B | 87 BPM | ||
| Confusion and Conclusion | The M.S. Viswanathan Orchestra, Lekha Rathnakumar | D♭ Major | 7 | 3B | 73 BPM | ||
| Mountain Song | Assaraimasko Dabdabhelio | D Major | 2 | 10B | 148 BPM | ||
| Temple without walls | Suryara | B♭ Major | 9 | 6B | 110 BPM | ||
| Prabha Gaan | Sounds of Optimism, Deepesh Sanmal | C Major | 1 | 8B | 87 BPM | ||
| Nach Lo Ri Karya Moro Ke | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| Ek Akela Is Shaher Mein | Sandipan Ganguly | G Minor | 2 | 6A | 103 BPM | ||
| Vaisnava Bhajan | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | D Major | 2 | 10B | 147 BPM | ||
| Ipsita | Sounds of Optimism, Deepesh Sanmal | B♭ Minor | 1 | 3A | 76 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Ambe Ambe Jagadambike Bhajan | A Krishna Saathwik | B♭ Major | 9 | 6B | 110 BPM | ||
| Gateway to the Spirit World | P. Jeeva Prasad, Lekha Rathnakumar | D♭ Major | 7 | 3B | 73 BPM | ||
| Dhun | Vishwa Mohan Bhatt | D Major | 7 | 10B | 116 BPM | ||
| Kaushi Kanra in Vilambit Tintal | Alam Khan, Indranil Mallick | C Minor | 4 | 5A | 114 BPM | ||
| Atma | Roopa Panesar | D♭ Minor | 3 | 12A | 105 BPM | ||
| Rudhra Thandavam | Lekha Rathnakumar | A Minor | 7 | 8A | 119 BPM | ||
| Dadra Solo | Traditional, Zakir Hussain | D♭ Major | 7 | 3B | 101 BPM | ||
| Whispers of Buddha | Vic Vision | B♭ Major | 9 | 6B | 110 BPM | ||
| Senthamizh | Rajhesh Vaidhya | G Minor | 4 | 6A | 84 BPM | ||
| Gaud Malhar | Buddhadev DasGupta | C Major | 2 | 8B | 103 BPM | ||
| Paattum Paadiyoru - Instrumental | Deepak Dev | A Major | 4 | 11B | 121 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Nivedan | Debashish Bhattacharya | G Major | 2 | 9B | 128 BPM |