Matt Elliott's 'The Day After That' had a release date set for March 27, 2020. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Farewell to All we Know by Matt Elliott. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, The Day After That's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Day After That by Matt Elliott is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| San Telmo | Tarantella | E Minor | 5 | 9A | 173 BPM | ||
| Feet of Clay | Birch Book | C Minor | 4 | 5A | 103 BPM | ||
| Yes I Do | Monika | C Minor | 3 | 5A | 135 BPM | ||
| Return Again | Ólöf Arnalds | E Minor | 1 | 9A | 131 BPM | ||
| A Broken Flamenco | Matt Elliott | D Minor | 6 | 7A | 94 BPM | ||
| Lullaby | Low | B Minor | 2 | 10A | 126 BPM | ||
| What The Fuck Am I Doing On This Battlefield | Matt Elliott | E Minor | 1 | 9A | 95 BPM | ||
| You Are Here With Me (In This Sequence Of Dreams) | Woods Of Ypres | D♭ Minor | 3 | 12A | 155 BPM | ||
| Lily Pool | Lilium | A Minor | 3 | 8A | 124 BPM | ||
| Give Me a Smile | Sibylle Baier | E Minor | 3 | 9A | 102 BPM | ||
| The Murder of Trust | Ali Eskandarian, King Raam | G Major | 3 | 9B | 92 BPM | ||
| Whores | Strangers On A Train | D Major | 5 | 10B | 143 BPM | ||
| Loving, Loving | Vera Sola | C Minor | 6 | 5A | 131 BPM | ||
| The Ensemble of Silence | Empyrium | D Minor | 4 | 7A | 120 BPM | ||
| Green Grass - Remastered | Tom Waits | C Minor | 2 | 5A | 95 BPM | ||
| La Roza Enflorece | Dafné Kritharas | C Minor | 1 | 5A | 94 BPM | ||
| ...And so It Ends | Strangers On A Train | B♭ Major | 7 | 6B | 183 BPM | ||
| Chambers | Tamino | E♭ Major | 4 | 5B | 123 BPM | ||
| Tic Tac | The Dead Brothers | C Major | 1 | 8B | 80 BPM | ||
| People Changing in the Streets | No Clear Mind | A Major | 2 | 11B | 140 BPM | ||
| Tiny Drop | Simone White | F Minor | 3 | 4A | 108 BPM | ||
| A Million Kittens on Fire | Strangers On A Train | F Major | 7 | 7B | 122 BPM | ||
| great drama (solo) | l i l a | E Minor | 1 | 9A | 149 BPM | ||
| A Drop Of Blood | Tamino | B Major | 2 | 1B | 80 BPM | ||
| Stone is Very, Very Cold | Rob Coffinshaker | D Minor | 2 | 7A | 180 BPM |