Sarath Santosh's ' "Laxmi Padmaalaya" was released on its scheduled release date, March 10, 2013. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nag Sreevascha's "Jagadguru Aadi Shankara" album is number 8 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Laxmi Padmaalaya's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Laxmi Padmaalaya by Sarath Santosh to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chuda Sakkani Thalli | Jadala Ramesh | F♯ Major | 8 | 2B | 106 BPM | ||
| Rasaraanive | C. Sathya, Sarath Santosh | D Major | 4 | 10B | 167 BPM | ||
| Andari Mundara | Sirpy, S.P.Balasubrahmanyam, Chitra | G Major | 9 | 9B | 141 BPM | ||
| Omkara roopinamma ma Ammalaganna Amma | JADALA RAMESH | F♯ Major | 6 | 2B | 143 BPM | ||
| Vandanalu | Sukhwinder Singh | F♯ Minor | 8 | 11A | 128 BPM | ||
| Sri Gananadham | Dr. Josyabhatla, Kameswari Charan, Chavali Samba Siva Subrahmanyam | B♭ Minor | 4 | 3A | 156 BPM | ||
| o bava o bava tella tellari nannu cherukova | Uday Banoth, Roja Bai | C Major | 7 | 8B | 174 BPM | ||
| Dhandu Maremma Dandalu | Gangarputra Narsing Rao | A Major | 9 | 11B | 113 BPM | ||
| Kaligenidhe Naaku | Priya Sisters | A♭ Minor | 4 | 1A | 95 BPM | ||
| Ramana Chandunalo | RELARE RELA RAGHU | G Major | 10 | 9B | 83 BPM | ||
| Navvarade Na Bangarama | Shankar Babu | B♭ Minor | 8 | 3A | 150 BPM | ||
| Sundara Kumara Ganesha (Telugu) | Sarath Santosh, RG Sarathee, Dr. Radhagopee | D♭ Major | 5 | 3B | 82 BPM | ||
| Mahamadan | Pudhuvai Narasimhan | D Major | 9 | 10B | 99 BPM | ||
| Sannajaji Nuvve | Vivek - Mervin, Deepthi, Sarath Santosh | G Major | 6 | 9B | 62 BPM | ||
| Gana Gana Ayyappa | Gangaputra Narasinga Rao | A Minor | 8 | 8A | 77 BPM | ||
| Digu Digu Digu | Parupalli Ranganath | G Minor | 5 | 6A | 162 BPM | ||
| Ugutunadamma Uyyaala | Gangaputhra Narsing Rao | F♯ Major | 5 | 2B | 142 BPM | ||
| Thirumala Kondalalo Vennela | Kumar Swamy | F Minor | 4 | 4A | 95 BPM | ||
| Guru Ashtakam - From "Ghibran's Spiritual Series" | Ghibran, Sarath Santosh, Vikram Pitty | E Major | 6 | 12B | 130 BPM | ||
| Vevela Jejelive | K.S. Chitra | G Major | 7 | 9B | 160 BPM | ||
| Mangala Manare Mangala Gowri | RG Sarathee, Srinidhi, Vaishnavi, Dr. Radhagopee | C Major | 4 | 8B | 100 BPM | ||
| Dhandalu Swamy Ganesha | Gangaputra Narsing Rao | F Major | 8 | 7B | 164 BPM | ||
| Ganjai Poovu | Yuvan Shankar Raja, Sarath Santosh | D♭ Minor | 7 | 12A | 94 BPM | ||
| Koodukuntunnadi | Suresh Bobbili, Shankar Babu, Mittapalli Surendar | D♭ Major | 9 | 3B | 133 BPM | ||
| Nidaanam Pati Lakshmiki | Jadala Ramesh, Akunuri Devayya, Anilkumar | G Major | 7 | 9B | 108 BPM |