Hemant Kumar's ' "Jane Woh Kaise Loog The" was released on its scheduled release date, May 22, 2000. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 48 in the song's album "Revival Vol.5 Koi Hamdam Na Raha". In this album, this song's track order is #22. Furthermore, we believe that the track originated from India. In terms of popularity, Jane Woh Kaise Loog The is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Jane Woh Kaise Loog The by Hemant Kumar having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Aaja Sanam Madhur Chandni Men | Lata Mangeshkar, Manna Dey | E♭ Minor | 4 | 2A | 82 BPM | ||
| Yeh Baaten Jhoothi Baaten Hain | Ghulam Ali | C Major | 3 | 8B | 81 BPM | ||
| Yeh Chand Sa Roshan Chehra | Rahul Pandey | E Major | 3 | 12B | 105 BPM | ||
| Aro Kichhu Khan Na Hoy Rahite Kachhe (Mono) | Sandhya Mukherjee | E♭ Major | 5 | 5B | 95 BPM | ||
| Diya Jalao | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Ajhun Na Aye Balamwa | Suman Kalyanpur, Mohammed Rafi | D Major | 6 | 10B | 93 BPM | ||
| O Ganga Behti Ho Kyon - Bistar Hai Apaar | Bhupen Hazarika | C Minor | 3 | 5A | 127 BPM | ||
| Chookar Mere Manko | Sudesh Bhosle | A Major | 7 | 11B | 118 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Waqt Ne Kiya Kya Haseen Sitam | Geeta Dutt | D♭ Major | 3 | 3B | 93 BPM | ||
| Jaoon Kahan Bata Ae Dil | Mukesh, Hasrat Jaipuri | E Minor | 3 | 9A | 107 BPM | ||
| Piya Aiso Jiya Men Samaya Gayo | Geeta Dutt, Hemant Kumar | E Major | 5 | 12B | 134 BPM | ||
| Ae Dil Mujhe Aisi Jagah Le Chal | Talat Mahmood | A Minor | 1 | 8A | 172 BPM | ||
| Mou Bone Aaj Mou Jomechhe | Hemant Kumar | A Major | 2 | 11B | 137 BPM | ||
| Ae Mere Udas Man | K. J. Yesudas | G Minor | 5 | 6A | 95 BPM | ||
| Itna Na Mujhse Tu Pyar Badha | Talat Mahmood, Lata Mangeshkar | C Major | 5 | 8B | 200 BPM | ||
| Afreen Afreen | Nusrat Fateh Ali Khan | B Minor | 4 | 10A | 100 BPM | ||
| Jate Huye Ye Pal Chhin Kyon | Ravindra Jain | B Minor | 6 | 10A | 93 BPM | ||
| Woh Jo Hum Mein Tum Qarar Tha | Chitra Singh | D Major | 2 | 10B | 82 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Dil Ka Haal Sune Dilwala | Manna Dey, Shailendra | D♭ Minor | 5 | 12A | 119 BPM | ||
| Mere Gaon Aaoge | Rahgir | G Major | 2 | 9B | 79 BPM | ||
| Rahen Na Rahen - Duet | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 6 | 4B | 132 BPM | ||
| Door Door Se Kya Gata Hai | Bela Mukherjee, Ravi, Hemant Kumar | D Major | 5 | 10B | 84 BPM |