Riley Foster's 'You'd Be So Nice To Come Home To' had a release date set for December 18, 2019. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 3 in the song's album "This Can't Be Love". In this album, this song's track order is #1. Based on our statistics, You'd Be So Nice To Come Home To's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With You'd Be So Nice To Come Home To by Riley Foster having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Is a Many-Splendored Thing | Louis Silva Band | C Minor | 1 | 5A | 85 BPM | ||
| Stardust | Sonny Becker Quartet | C Major | 1 | 8B | 122 BPM | ||
| My Foolish Heart | Tate Jackson Trio | B♭ Major | 0 | 6B | 114 BPM | ||
| Sandu | William Carter Band | E♭ Minor | 4 | 2A | 129 BPM | ||
| From This Moment On | Landon Johns | D♭ Major | 1 | 3B | 64 BPM | ||
| The Way You Look Tonight | Dennis Roland | F Minor | 2 | 4A | 110 BPM | ||
| Catcher | Hara Noda | C Minor | 3 | 5A | 75 BPM | ||
| I've Grown Accustomed To Her Face | Jacob Rose Quartet | C Minor | 1 | 5A | 126 BPM | ||
| Skylark | Joseph Lawrence | C Minor | 2 | 5A | 108 BPM | ||
| Who's Laughing Now | Robert Elovsson Quartet | C Minor | 2 | 5A | 126 BPM | ||
| Facing Masks, Pt. XIX | Muzouet, Werset | D Minor | 2 | 7A | 68 BPM | ||
| More Than You Know | Jan Lundgren Trio | C Major | 2 | 8B | 62 BPM | ||
| Dear Old Stockholm | CMC 3 | C Major | 3 | 8B | 131 BPM | ||
| Nobody Else But Me | Gustav Scheringer Duo | C Major | 5 | 8B | 168 BPM | ||
| Lost and Found | Reese Quartet | F Major | 2 | 7B | 144 BPM | ||
| Tiempo suspendido | Ryzon Sound | B♭ Minor | 1 | 3A | 110 BPM | ||
| Unforgotten | Lars Hoeren | B♭ Major | 1 | 6B | 67 BPM | ||
| Seattle Fall | Paul Booth | A♭ Major | 3 | 4B | 97 BPM | ||
| The Winter of My Discontent | Renee Rosnes | D Minor | 3 | 7A | 111 BPM | ||
| Soul Eyes | Juraj Stanik Trio | F Minor | 1 | 4A | 111 BPM | ||
| Lazy Strut | Flatland Park | A♭ Major | 2 | 4B | 120 BPM | ||
| Cry Me A River | Ray Brown Trio | C Minor | 1 | 5A | 108 BPM | ||
| Footprints | Neil Shannon Quartet | C Minor | 3 | 5A | 145 BPM | ||
| Freddie Freeloader | Sixth Street Quartet | F Minor | 4 | 4A | 141 BPM | ||
| HWILA | Jerry McHoy | C Minor | 1 | 5A | 139 BPM |