"Siin mu rõõmumaa" by Ester Mägi, VHK keelpilliorkester, Rasmus Puur had its release date on March 29, 2024. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 20 in Ester Mägi by Ester Mägi, VHK keelpilliorkester, Rasmus Puur. Going off of the ISRC code of this track, we detected that the origin of this track is from Estonia. In terms of popularity, Siin mu rõõmumaa is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Siin mu rõõmumaa by Ester Mägi, VHK keelpilliorkester, Rasmus Puur is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| A Mother's prayer | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders, Thomas Berg-Juul | F♯ Minor | 0 | 11A | 71 BPM | ||
| Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| MAGNIFICAT: VII. Gloria Patri | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss | A Minor | 1 | 8A | 173 BPM | ||
| Romeo and Juliet, Op. 64, Act IV: No. 52, Death of Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | A Major | 1 | 11B | 73 BPM | ||
| To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel and Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | ||
| Merelind | Various Composers, Ester Mägi, Suomen Nuorisokuoro - Finlands Ungdomskör, Elisa Huovinen | B♭ Major | 0 | 6B | 65 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | A Major | 1 | 11B | 73 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| Trattenimenti per camera, Op. 22: Ballo delle Ombre | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Symphony No. 2, Op. 132 "Mysterious Mountain": II. Double Fugue. Moderato maestoso | Alan Hovhaness, Gerard Schwarz, Royal Liverpool Philharmonic Orchestra | B Minor | 2 | 10A | 78 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
| Stabat Mater: Stabat Mater: VI. Vidit suum dulcem natum | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss, Carolyn Sampson | B Minor | 1 | 10A | 87 BPM | ||
| Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIa. Andante | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM |