George Fox's ' "Lovesick Blues" was released on its scheduled release date, August 4, 1988. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Lovesick Blues's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Fox's "George Fox" album is number 5 out of 10. Based on our statistics, Lovesick Blues's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lovesick Blues by George Fox to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fox on the Run | Iggesundsgänget | G Major | 5 | 9B | 108 BPM | ||
| Heart Over Mind | Lorrie Morgan | D♭ Major | 8 | 3B | 148 BPM | ||
| Road Song | Southern Pacific | A Major | 9 | 11B | 160 BPM | ||
| How Do I Get There from Her | George Fox | F♯ Major | 7 | 2B | 121 BPM | ||
| Better Every Beer | Billy Yates | E Major | 9 | 12B | 116 BPM | ||
| There Goes My Love | Highway 101 | F Major | 5 | 7B | 127 BPM | ||
| Southern Streamline | John Fogerty | D Major | 9 | 10B | 193 BPM | ||
| Take Another Run | Paul Overstreet | A Major | 8 | 11B | 169 BPM | ||
| On This Side of Life | Aaron Tippin | D Major | 7 | 10B | 120 BPM | ||
| That's Why I Sing This Way | Daryle Singletary | C Major | 9 | 8B | 123 BPM | ||
| Doctor Time | Rick Trevino | B♭ Major | 7 | 6B | 149 BPM | ||
| Midnight Highway | Southern Pacific | G Major | 7 | 9B | 139 BPM | ||
| The Hammer Goin' down | The Road Hammers | C Major | 3 | 8B | 113 BPM | ||
| Lillie's White Lies | Martin Delray | B♭ Major | 5 | 6B | 118 BPM | ||
| Chug-A-Lug | The Kentucky Headhunters | B Major | 8 | 1B | 88 BPM | ||
| 'Til The Mountains Disappear | Paul Overstreet | E Major | 6 | 12B | 175 BPM | ||
| We're All Gonna Die Someday | Ann Tayler | A Major | 8 | 11B | 182 BPM | ||
| Busy Man | Billy Ray Cyrus | G Major | 6 | 9B | 164 BPM | ||
| What You Get Is What You See | Julie Reeves | D Major | 8 | 10B | 157 BPM | ||
| Other Side Of The Hill | Suzy Bogguss | A♭ Major | 6 | 4B | 94 BPM | ||
| Driving Across The Border | Nashville Friends | A Major | 4 | 11B | 93 BPM | ||
| Woman Walk the Line | Highway 101 | A Major | 5 | 11B | 144 BPM | ||
| Come On | Ann Tayler | A♭ Major | 8 | 4B | 152 BPM | ||
| I Fell in Love | Carlene Carter | G Major | 9 | 9B | 169 BPM | ||
| All Again | The Boots Band | A Major | 8 | 11B | 167 BPM |