Arlen Sage's 'Perceived Inviting' had a release date set for January 20, 2025. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Perceived Inviting's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Resting Piano Relaxation". In this album, this song's track order is #49. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Perceived Inviting is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Perceived Inviting by Arlen Sage having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viridian Forest | Ryoto, DreamBytes | F Major | 0 | 7B | 85 BPM | ||
| Everyone Sleeps | Hauschka | C Minor | 1 | 5A | 66 BPM | ||
| Dawn (From Pride & Prejudice) | Johannes Bornlöf | G Major | 0 | 9B | 67 BPM | ||
| Désolation | Jordane Tumarinson | C Major | 2 | 8B | 84 BPM | ||
| Haunted | Misya | D♭ Major | 0 | 3B | 80 BPM | ||
| Distances | Emiliano Albani | D Major | 1 | 10B | 158 BPM | ||
| drama is not over yet | Chair House | D Major | 0 | 10B | 140 BPM | ||
| Tinderiana | Andrea Allen | D Minor | 0 | 7A | 68 BPM | ||
| Andy Dreams of Modeling | Brad Oberhofer, Oberhofer | C Major | 0 | 8B | 84 BPM | ||
| Reflection | Ellisyan | A Minor | 0 | 8A | 70 BPM | ||
| In Moonlight, Op. 2 | Akira Kosemura | F♯ Minor | 1 | 11A | 201 BPM | ||
| Shchedryk - Piano Version | Ivory Light | F♯ Major | 1 | 2B | 125 BPM | ||
| The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude | Johann Sebastian Bach, Sylke Mehnert | C Major | 1 | 8B | 106 BPM | ||
| Nebula Frequencies | Novovavi | D♭ Minor | 2 | 12A | 150 BPM | ||
| Prelude No. 3, Final Stars | Hikaru Shirosu | F♯ Major | 0 | 2B | 81 BPM | ||
| Return 2 (song) - Piano Version | Max Richter | D Minor | 0 | 7A | 91 BPM | ||
| Maria's Theme | Donny Livingston | C Minor | 1 | 5A | 94 BPM | ||
| Serenade of Memories | Simon Berggren | C Minor | 0 | 5A | 69 BPM | ||
| George.S | ALVED | E Minor | 1 | 9A | 116 BPM | ||
| Great Fairy's Fountain | User Youth | E♭ Major | 1 | 5B | 66 BPM | ||
| Escapade - Acoustic Version | Krapenitskiy | G Minor | 0 | 6A | 66 BPM | ||
| Soft Breeze | Ivory Light | E Minor | 0 | 9A | 175 BPM | ||
| Koral | Bugge Wesseltoft | A Minor | 0 | 8A | 68 BPM | ||
| The Claim: The Exchange | Michael Nyman, Valentina Lisitsa | A♭ Major | 0 | 4B | 89 BPM | ||
| Always Too Late | Benjamin Monday | F Major | 0 | 7B | 67 BPM |