"I Better Be Quiet Now" by Christopher O'Riley had its release date on February 22, 2006. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christopher O'Riley's "Home to Oblivion: An Elliott Smith Tribute" album is number 5 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, I Better Be Quiet Now's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Better Be Quiet Now by Christopher O'Riley to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Life in a Glasshouse | Echo Collective | F Major | 4 | 7B | 115 BPM | ||
| A dark mood | Elektroföb | D♭ Major | 2 | 3B | 85 BPM | ||
| Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM | ||
| On that boat | Erald Tevez | C Minor | 0 | 5A | 177 BPM | ||
| Garden of Tears | Anthony Zazzarino Jr. | D Major | 5 | 10B | 99 BPM | ||
| Northern Sky | Christopher O'Riley | F Minor | 1 | 4A | 88 BPM | ||
| Cello Sonata In G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Matt Haimovitz, Christopher O'Riley | E♭ Major | 0 | 5B | 135 BPM | ||
| Smells Like Teen Spirit | The Bad Plus | F Minor | 7 | 4A | 105 BPM | ||
| Codex | Ramin Djawadi | D Minor | 2 | 7A | 78 BPM | ||
| Musica ricercata: I. Sostenuto. Misurato. Prestissimo | György Ligeti, Alice Sara Ott | C Minor | 0 | 5A | 138 BPM | ||
| Prelude 2 | Dustin O'Halloran | F Major | 2 | 7B | 174 BPM | ||
| Amor Del Malo | Dj Bobby92 | B♭ Minor | 0 | 3A | 130 BPM | ||
| Let's Get Lost | Christopher O'Riley | C Major | 1 | 8B | 171 BPM | ||
| Cabildo, Op. 149: Largo espressivo | Amy Beach, Stephen Mo Hanan, Anthony Dean Griffey, Charlotte Hellekant, Eugene Perry, Paul Groves, Thomas Paul, Lauren Flanigan, Mark Peskanov, Carter Brey, Christopher O'Riley, New York Concert Singers, Ransom Wilson | B♭ Major | 0 | 6B | 75 BPM | ||
| Mozart-Adagio | Arvo Pärt, Angèle Dubeau, La Pietà | F Minor | 0 | 4A | 82 BPM | ||
| Relaxing Piano Music, Pt. 60 - Shadows, Episode 10 | Tomasz Trzcinski | E♭ Major | 4 | 5B | 76 BPM | ||
| One of These Things First | Christopher O'Riley | A Major | 2 | 11B | 168 BPM | ||
| Eights | Rachel Grimes | C Major | 2 | 8B | 104 BPM | ||
| Fotzepolitic | Matt Haimovitz, Christopher O'Riley | E♭ Minor | 1 | 2A | 74 BPM | ||
| Everything in Its Right Place | Sybarite5 | F Minor | 1 | 4A | 85 BPM | ||
| Perth | The Hipster Orchestra, Jeff Peters, Jared Gutstadt | C Minor | 3 | 5A | 120 BPM | ||
| Black Star | Josh Cohen | G Major | 2 | 9B | 135 BPM | ||
| Keys to the Soul (Acoustic) | J.K. Hodge | C Major | 1 | 8B | 70 BPM | ||
| Bark'n'bass at Montparnasse | VITMAY | C Minor | 1 | 5A | 122 BPM | ||
| Suite: Everything In It's Right Place - Pyramid Song | Noordpool Orchestra | D♭ Major | 4 | 3B | 118 BPM |