"Echappe 2│4" by Марина Горячева had its release date on December 15, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 31 in Classical Danсe Lesson - , Ч. 1 (Tempo Fast 4 Bars) by Марина Горячева. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Echappe 2│4 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Echappe 2│4 by Марина Горячева is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio 2 3x4 | Jorge L. Martínez | G Major | 4 | 9B | 140 BPM | ||
| Romeo and Juliet (Battements Tendus1) | Miwa Hoshi | F♯ Minor | 2 | 11A | 80 BPM | ||
| Plie 4│4 | Марина Горячева | D Major | 4 | 10B | 79 BPM | ||
| Battement tendu jeté 6/8 | The Ballet Pianist | G Major | 3 | 9B | 137 BPM | ||
| Frappés: Barre Technique | David Howard, Alla Reznik | E♭ Major | 3 | 5B | 144 BPM | ||
| Waltz I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Pas Glissade Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | A Minor | 1 | 8A | 70 BPM | ||
| Battements tendus jetes 1 (vol. 3 barre) | 최선경 | G Major | 1 | 9B | 130 BPM | ||
| Rond de jambe 2 3x4 | Jorge L. Martínez | D Minor | 1 | 7A | 109 BPM | ||
| Rond de jambe à terre-Port de bras | 정아름 | A♭ Major | 1 | 4B | 95 BPM | ||
| Battement Fondu 3/4 (Waltz Op.39 n°3) | The Ballet Pianist | A♭ Minor | 1 | 1A | 125 BPM | ||
| Perito Per Aria | Mariana Ghiaccio | F Major | 1 | 7B | 112 BPM | ||
| Warm Up 4/4 (Intermezzo Op.76 n°7) | The Ballet Pianist | A Minor | 1 | 8A | 70 BPM | ||
| Carmen, Act I: No. 5, Habanera (Fondu) | Nina Pinzarrone | D Major | 1 | 10B | 87 BPM | ||
| Grand allegro 1 in G-Major, ballet "La fille du Pharaon", Act 2, coda | Cesare Pugni, Konstantin Mortensen | G Major | 2 | 9B | 182 BPM | ||
| Girandola | Donna Floria | E♭ Major | 0 | 5B | 125 BPM | ||
| Warming-up (by N. Kim) | 김한나 | C Major | 1 | 8B | 133 BPM | ||
| Adagio Ⅱ 3/4 (Serenade for Strings op.48) | Eun S. Kim | E♭ Major | 1 | 5B | 105 BPM | ||
| Polka Dots and Moonbeams - Rond de jambe à terre | Peter James | E♭ Major | 2 | 5B | 163 BPM | ||
| Degage 5th: Barre Technique | David Howard, Alla Reznik | A Major | 3 | 11B | 82 BPM | ||
| Plies (3/4:64): 不思議の国のアリス | Oliver Wallace, 稲葉智子 | E Major | 2 | 12B | 97 BPM | ||
| Battement Frappe / Enjoy Being a Girl | Matthew J Gregory | E♭ Major | 2 | 5B | 98 BPM | ||
| RDJ 3/4 - Songs without words, Book 1, Op. 19b: No. 2, Andante espressivo | Felix Mendelssohn, Erik Geddis | A♭ Major | 0 | 4B | 94 BPM | ||
| Rond de jambe 1 3x4 | Jorge L. Martínez | D Major | 1 | 10B | 102 BPM | ||
| Rond de Jambe Par Terre 3/4 (Waltz Op.39 n°2) | The Ballet Pianist | E♭ Major | 1 | 5B | 120 BPM |