"Rendering per orchestra, da F. Schubert (1. Allegro)" by Luciano Berio, Riccardo Chailly, Orchestra Sinfonica di Milano Giuseppe Verdi had its release date on January 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Luciano Berio, Riccardo Chailly, Fausto Ghiazza, Orchestra Sinfonica di Milano Giuseppe Verdi's "Luciano Berio / Trascrizioni orchestrali" album is number 5 out of 11. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Rendering per orchestra, da F. Schubert (1. Allegro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rendering per orchestra, da F. Schubert (1. Allegro) by Luciano Berio, Riccardo Chailly, Orchestra Sinfonica di Milano Giuseppe Verdi to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wasserklavier | Luciano Berio, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 134 BPM | ||
| Sequenza VII for Oboe | Luciano Berio, László Hadady | E Major | 1 | 12B | 67 BPM | ||
| Lyric for Strings | George Walker, Kellen Gray, Royal Scottish National Orchestra | D♭ Major | 0 | 3B | 142 BPM | ||
| Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
| Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
| Sinfonia for 8 Voices and Orchestra: 5. V | Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices | B♭ Minor | 2 | 3A | 73 BPM | ||
| Six Encores: III. Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
| Wasserklavier | Luciano Berio, Michael Noble | D♭ Major | 1 | 3B | 67 BPM | ||
| Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
| Spohr: Symphonie Concertante for Violin, Harp and Orchestra in G Major, WoO 13 - II. Adagio | Louis Spohr, María Dueñas, Volker Kempf, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 92 BPM | ||
| Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
| Pärt: Pärt: Für Alina | Arvo Pärt, Alessio Bax | G Major | 0 | 9B | 127 BPM | ||
| Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
| 24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | G Major | 1 | 9B | 176 BPM | ||
| Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Du bist die Ruh, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: VII. Good Night | Leoš Janáček, Marc-André Hamelin | G Major | 0 | 9B | 68 BPM | ||
| Ave verum corpus, K.618 (Arr. for Piano by Franz Liszt) | Wolfgang Amadeus Mozart, Mao Fujita | C Major | 2 | 8B | 82 BPM | ||
| Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 76 BPM | ||
| Cage: All Sides of the Small Stone, for Erik Satie | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
| Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| 3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) | Franz Liszt, Nora von Marschall | B♭ Major | 0 | 6B | 85 BPM | ||
| Sinfonia for 8 Voices and Orchestra: II. O King | Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices | F♯ Major | 0 | 2B | 65 BPM |