Rajkot Gurukul's ' "Purusha Suktam" was released on its scheduled release date, June 1, 2010. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Sandhya Vandan". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. Purusha Suktam is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purusha Suktam by Rajkot Gurukul having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MATHURA MA SHRINATHJI | Bhaskar Sukal | D♭ Major | 6 | 3B | 78 BPM | ||
| Tu Hi Tu Hi Tu Hi To Hai Mera Nandanandan | Swami Mukundananda | D Major | 4 | 10B | 85 BPM | ||
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM | ||
| Durga Saptashloki Mantra | Isha Sharma | F♯ Minor | 5 | 11A | 80 BPM | ||
| Aavo Aavo Sahjanand Swami | Dinesh Vaghasiya | E♭ Minor | 7 | 2A | 176 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Na Mane Na Mane Re Mata Mahakali | Shahnaz Akhtar | D♭ Major | 8 | 3B | 102 BPM | ||
| Nana Sarkha Shreenathji | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| Sita Ram Hanuman | Ajay Pujari | E♭ Minor | 6 | 2A | 81 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Man No Moraliyo Rate Taru Naam | Rajkot Gurukul | E♭ Major | 7 | 5B | 89 BPM | ||
| Maa Durga Ji Ki Aarti | Manoj Mishra | F♯ Major | 9 | 2B | 132 BPM | ||
| Mere Har Jio, Pt. 1 | Veer Manpreet Singh | D♭ Minor | 2 | 12A | 136 BPM | ||
| Vishwakarma Aarti | Poonam Vishwakarma | A♭ Minor | 9 | 1A | 109 BPM | ||
| Pyara Hain Sai Ka Darbar | Vipin Sachdeva | A Minor | 6 | 8A | 103 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Aarti Ganga Maiya Ki | Rajesh Bisen | A♭ Major | 5 | 4B | 105 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| Pragat Thaiya Prabhu Chappaiya Gaam Re | Shree Swaminarayan Temple Bhuj | A Minor | 4 | 8A | 104 BPM | ||
| Lavan Teri Lal | Rajkot Gurukul | B Major | 5 | 1B | 132 BPM | ||
| Shobhe Chhabi Ghanshyam ni | Rajkot Gurukul | D♭ Minor | 6 | 12A | 168 BPM | ||
| Aa Tan Rang Patang | Rajkot Gurukul | E♭ Major | 7 | 5B | 131 BPM | ||
| Mile satguru zindagi | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Kirtan Ki Hai Raat Baba | Lokendra Sharma | A Minor | 6 | 8A | 180 BPM |