Chelsea Williams's 'Thanks For Coming Out' had a release date set for July 23, 2008. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Thanks For Coming Out's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 7 in Decoration Aisle by Chelsea Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Thanks For Coming Out is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Thanks For Coming Out by Chelsea Williams is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nantes | Tennessee May | G Major | 3 | 9B | 121 BPM | ||
| The Slow Work | Matilde Guirish | G Major | 3 | 9B | 121 BPM | ||
| The Fence - Matthew Shepard's Song | Peter Katz | F♯ Major | 1 | 2B | 88 BPM | ||
| Little Red Riding Hood | Laura Hill | B♭ Minor | 3 | 3A | 117 BPM | ||
| The Grass Is Blue | Norah Jones, Puss N Boots | A♭ Major | 1 | 4B | 88 BPM | ||
| Tombstone Every Mile | Jaymay | B♭ Major | 1 | 6B | 94 BPM | ||
| The Long Pull | Charliana Romers | G Major | 3 | 9B | 121 BPM | ||
| Wreck You | Lori McKenna | A Major | 2 | 11B | 134 BPM | ||
| Tension | nellbua | G Major | 3 | 9B | 121 BPM | ||
| Helpless | k.d. lang | D Major | 3 | 10B | 129 BPM | ||
| I Never | Caitlin Canty | F Minor | 3 | 4A | 201 BPM | ||
| Please Don't Change Your Mind | Lizzie No | A Major | 3 | 11B | 83 BPM | ||
| Better Things | Dar Williams | E♭ Major | 6 | 5B | 145 BPM | ||
| We'll Meet Along The Way | Hem | G Major | 3 | 9B | 121 BPM | ||
| Wind's Gonna Find a Way | Kris Delmhorst | A Minor | 3 | 8A | 133 BPM | ||
| Crystal Blue Persuasion | Bernie Barlow, Chelsea Williams | F Major | 6 | 7B | 111 BPM | ||
| Wild Nights | Susan Wolf | B Major | 2 | 1B | 102 BPM | ||
| Angel Flying Too Close to the Ground | Chelsea Williams | G Major | 3 | 9B | 100 BPM | ||
| Dear | Sammi Butler | E Major | 4 | 12B | 94 BPM | ||
| Trapeze | Patty Griffin | B♭ Major | 2 | 6B | 111 BPM | ||
| No More | Jenny Mitchell | G Major | 3 | 9B | 90 BPM | ||
| Friend of the Devil | Connor Desai | F♯ Minor | 2 | 11A | 146 BPM | ||
| True Love | Anna Ash | A♭ Major | 1 | 4B | 136 BPM | ||
| Eastern Light (feat. Sam Beam) | Tift Merritt, Sam Beam | D Major | 1 | 10B | 148 BPM | ||
| You and Me | Matthew Barber | E♭ Major | 3 | 5B | 120 BPM |