"Departure (Lullaby)" by Max Richter had its release date on December 2, 2014. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "The Leftovers: Season 1 (Music from the HBO Series)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Departure (Lullaby) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Departure (Lullaby) by Max Richter having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude: The Atlas March | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | A Minor | 0 | 8A | 93 BPM | ||
| Final Minutes and the Mountains | Dan Romer | C Minor | 3 | 5A | 70 BPM | ||
| Lachrymosia | Slow Meadow | D Minor | 1 | 7A | 118 BPM | ||
| Last Minute Change Of Heart | James Heather | C Minor | 1 | 5A | 67 BPM | ||
| The Transpose Blue Field | Tatiana Lisovskaya | C Major | 1 | 8B | 92 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 1 | 8B | 103 BPM | ||
| Rain, in Your Black Eyes | Ezio Bosso | D Major | 1 | 10B | 70 BPM | ||
| Beginning of the End Movement I | The Newton Brothers | F Major | 0 | 7B | 74 BPM | ||
| First Movement | Clint Mansell | D Minor | 0 | 7A | 137 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Open | Luke Howard | C Minor | 0 | 5A | 141 BPM | ||
| Prélude | Alexandra Streliski | E Major | 1 | 12B | 132 BPM | ||
| Instantané (The Cakemaker Original Movie Theme) | Dominique Charpentier | F Minor | 1 | 4A | 115 BPM | ||
| Coda | Rob Simonsen | F♯ Minor | 3 | 11A | 117 BPM | ||
| The Cosmonaut | Fall on Your Sword | D Major | 1 | 10B | 143 BPM | ||
| Ambre | Nils Frahm | D♭ Major | 1 | 3B | 146 BPM | ||
| The Gravel Road - Score | James Newton Howard | G Minor | 1 | 6A | 86 BPM | ||
| forteresse | Jean-Michel Blais | E♭ Major | 1 | 5B | 136 BPM | ||
| Went Missing | Nils Frahm | A♭ Minor | 0 | 1A | 120 BPM | ||
| Andante/Reflection (End Title) | Max Richter | G Major | 0 | 9B | 156 BPM | ||
| Isolated III | Roberto Attanasio | E♭ Minor | 2 | 2A | 129 BPM | ||
| Ad Claritatem Domine | Jean-Michel Blais | C Minor | 2 | 5A | 137 BPM | ||
| My Friend the Forest | Nils Frahm | A♭ Major | 0 | 4B | 83 BPM | ||
| The Departure - Persistence of Vision | Max Richter | C Minor | 0 | 5A | 73 BPM | ||
| Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM |