On July 7, 2025, the song "Nash Nash Me Chal Bharya Mard Me" was released by Ranjha Begpuriya, Komal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Nash Nash Me Chal Bharya Mard Me and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Nash Nash Me Chal Bharya Mard Me's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Nash Nash Me Chal Bharya Mard Me by Ranjha Begpuriya, Komal having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sapno Aayo Aadhi Raat | Karan Singh Gurjar | D♭ Major | 9 | 3B | 117 BPM | ||
| Ghar Wanj Giya Nai | Saqlain Musakhelvi | D Minor | 7 | 7A | 90 BPM | ||
| Haye Re Jhulaniya | Ritesh Pandey, Antra Singh Priyanka | G Minor | 10 | 6A | 114 BPM | ||
| Mara Ghar Ka Tala Konchi Sanvra Thara Haat Hai | Gokul Sharma | F♯ Major | 9 | 2B | 170 BPM | ||
| Hussain Zindabad Rahega | Junaid Sultani | F♯ Major | 8 | 2B | 110 BPM | ||
| Bhawari Ke Chheda | Aagar Anand, Kanti Miri | D♭ Major | 10 | 3B | 127 BPM | ||
| Bheem Dehlayo Taal | Brijesh Kumar Shastri | B♭ Major | 7 | 6B | 138 BPM | ||
| Raji Raji Bol L Tu | Manish Fagna | A♭ Minor | 9 | 1A | 110 BPM | ||
| Salasar Ra Mandir Me Hanuman Biraje | Chotu Singh Rawna | A♭ Major | 8 | 4B | 90 BPM | ||
| Pancho Main Sarpanch Raha Meri | Neeraj Bhati | A♭ Major | 9 | 4B | 96 BPM | ||
| Machu Pani Pendu Ni Dikhe | Narendra Singh Negi | A♭ Major | 6 | 4B | 104 BPM | ||
| Guruji Main Rakhu Raam Ki Maala | Kusum Chauhan | A♭ Major | 10 | 4B | 120 BPM | ||
| Tone Mahari Mohbbat Bhayeli | Dilraj Savta | D Minor | 8 | 7A | 90 BPM | ||
| M Chela Gorakh Nath Ka | Sumit Kalanaur | F Major | 6 | 7B | 170 BPM | ||
| Hadi Rani Ki Shourya Gatha Part: 2 | Leela Ratnu | E♭ Minor | 7 | 2A | 148 BPM | ||
| Bahut Roye Hai Tumse Dil Lagakar | Arshad Kamli | F Minor | 10 | 4A | 180 BPM | ||
| Bana Mohini - Pahadi | Fauji Lalit Mohan Joshi, Anil Singh Panoo | F Minor | 9 | 4A | 120 BPM | ||
| Shubh Din Aan Lage Sawan Ke Jhula Jhulat Jugal Kishore Bundeli | Chandra Bhushan Pathak | D♭ Major | 9 | 3B | 91 BPM | ||
| Ghumkya Badal | Jitendra Tomkyal | F♯ Major | 9 | 2B | 120 BPM | ||
| Bahua Ki Sarkar | Ranjha Begpuriya | G Minor | 9 | 6A | 145 BPM | ||
| Ya Taj Ke Rakhna Laag Tere Diwane Aaye Hai | As Ajay Shrirame, As Shrirame | A Major | 10 | 11B | 150 BPM | ||
| Kisi Kaar Bani Oli | Ranjha Begpuriya | G Major | 10 | 9B | 114 BPM | ||
| Kese Bhulungi | Aslam Singer Mewati | F Major | 7 | 7B | 135 BPM | ||
| Kathe Re Lagai Atari Der | Gokul Sharma | B♭ Major | 9 | 6B | 96 BPM | ||
| Bhagiya Me Agiya Lagai Dele Na | Aashish Yadav | A Minor | 7 | 8A | 117 BPM |