"I'm Taking Over" by Chris Benstead had its release date on March 8, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 30 in the song's album "The Gentlemen (Soundtrack from the Netflix Series)". In this album, this song's track order is #28. In terms of popularity, I'm Taking Over is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With I'm Taking Over by Chris Benstead having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prepare For Arrival | Marco Beltrami, Miles Hankins | D Minor | 2 | 7A | 75 BPM | ||
| Miranda's Victim Main Titles | Holly Amber Church | G Major | 0 | 9B | 144 BPM | ||
| The Wedding | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | F Minor | 2 | 4A | 125 BPM | ||
| Hotel Amari | Chris Benstead | D Major | 3 | 10B | 102 BPM | ||
| Run Into A.B. | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| This Is War | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Entirely Beloved | Debbie Wiseman | E Minor | 2 | 9A | 105 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| Precious Swirl | Brice Davoli | G Major | 3 | 9B | 183 BPM | ||
| Steps | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Desert Locust | Jasha Klebe, Thomas Farnon | F Minor | 5 | 4A | 95 BPM | ||
| The Trial of Solomon Grundy | Mark Isham | G Minor | 1 | 6A | 67 BPM | ||
| Double Timing | Chris Benstead | A♭ Major | 3 | 4B | 166 BPM | ||
| Osaka Castle | Atticus Ross, Leopold Ross, Nick Chuba | A Major | 5 | 11B | 70 BPM | ||
| Reacher Preps | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| A Light In No Man’s Land | Chanda Dancy | A Minor | 3 | 8A | 39 BPM | ||
| Birth Of The Solar System | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Omerta Of The Libertines | Johan Söderqvist | F♯ Minor | 1 | 11A | 138 BPM | ||
| Old World, New World | David Buckley | G Minor | 1 | 6A | 121 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM | ||
| Kate and Hal | Nathan Barr, Dimitri Smith | B♭ Minor | 0 | 3A | 150 BPM | ||
| Ending Titles | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Closure | Brianna Tam | D Minor | 3 | 7A | 100 BPM |