Ruth White's 'Spleen' had a release date set for January 1, 1968. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Spleen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 9 in Flowers of Evil by Ruth White. Spleen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spleen by Ruth White is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Innate Abstraction | Cruel Diagonals | E Minor | 5 | 9A | 122 BPM | ||
| Invocation to Secular Heresies | Spk | F Major | 7 | 7B | 121 BPM | ||
| A Sorrow with a Braid | Prurient | D Major | 10 | 10B | 94 BPM | ||
| Nature Is Not Created in the Image of Man's Compassion | Tzusing | D Minor | 4 | 7A | 93 BPM | ||
| Of Broken Links | These Trails | A Minor | 3 | 8A | 120 BPM | ||
| Fantasies | Silver Apples | D♭ Major | 8 | 3B | 116 BPM | ||
| Lily | Reiko Kudo | B♭ Minor | 4 | 3A | 95 BPM | ||
| Don't Beat Your Wife Every Night | 'Bucky' Coslow (announcer), Raymond Scott | B Major | 3 | 1B | 145 BPM | ||
| The Satanic Bible Prologue | Anton LaVey | B♭ Minor | 4 | 3A | 133 BPM | ||
| Hole In The Heart | Ramleh | B♭ Major | 8 | 6B | 122 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| I Had Too Much to Dream Last Night | The Space Lady | D♭ Minor | 3 | 12A | 134 BPM | ||
| Persuasion - Remastered | Throbbing Gristle | G Major | 1 | 9B | 74 BPM | ||
| 1st Night | Debit | F Minor | 3 | 4A | 117 BPM | ||
| An Angel of Great and Terrible Light | Uboa | B Minor | 4 | 10A | 60 BPM | ||
| SIN DOLOR | JhosmelCruz | B Major | 8 | 1B | 79 BPM | ||
| If We Save Just One Child It Will All Be Worth It | Lauren Bousfield | D♭ Major | 9 | 3B | 141 BPM | ||
| KR-6200 | Carl Crack | G Major | 4 | 9B | 118 BPM | ||
| Neun Arme | Einstürzende Neubauten | B Minor | 5 | 10A | 75 BPM | ||
| Dawn on a Buck Skin | Natural Snow Buildings | A Major | 2 | 11B | 87 BPM | ||
| You Can't Help Me | Pedestrian Deposit | D♭ Major | 10 | 3B | 97 BPM | ||
| Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM | ||
| There Are No More Tickets to the Funeral | Diamanda Galás | B Major | 1 | 1B | 77 BPM | ||
| Who'll Fall? | Coil | A♭ Minor | 2 | 1A | 76 BPM | ||
| Cocaine Death | Prurient | C Major | 1 | 8B | 119 BPM |