Riddhi Vyas's ' "Ambe Maa - Zanzar 2 Taali Garba" was released on its scheduled release date, September 5, 2025. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zanzar (2 Taali Garba) by Riddhi Vyas. The song's track number on the album is #2 out of 26 tracks. Based on our statistics, Ambe Maa - Zanzar 2 Taali Garba's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Ambe Maa - Zanzar 2 Taali Garba by Riddhi Vyas has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ambe Maa - Zanzar 2 Taali Garba being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharad Punam Ni Ratdi Rang Dolariyo | Geeta Rabari | E♭ Major | 9 | 5B | 140 BPM | ||
| Piyu Pardeshthi Velo Avje | Tejal Thakor, Kaushik Bharwad | F Major | 9 | 7B | 174 BPM | ||
| More Moro | Rakesh Barot | G Major | 8 | 9B | 127 BPM | ||
| Sapna Todi Gai - DJ Remix | Kamlesh Barot | F♯ Minor | 9 | 11A | 120 BPM | ||
| Padve Thi Pelu Manu Nortu Ji Re | Riddhi Vyas | E♭ Minor | 9 | 2A | 140 BPM | ||
| Bandhi Muthi Sava Lakh Ni | Aakash Ramun | B Major | 9 | 1B | 125 BPM | ||
| Have Avija Nai To Jiv Jay Re | Naresh Thakor | D♭ Major | 9 | 3B | 85 BPM | ||
| Lal Chundadi Ae Shobhe Mavadi | Ishawardan Gaghavi, Riddhi Vyas | F Minor | 8 | 4A | 210 BPM | ||
| Vevar | Hansha Bharwad, Pintu Algotar | A♭ Minor | 10 | 1A | 112 BPM | ||
| Ghor Andhari Re | Riddhi Vyas | E♭ Minor | 9 | 2A | 140 BPM | ||
| Rang Nai Badle | Vipul Susra | A Minor | 9 | 8A | 115 BPM | ||
| Mojilo Maldhari | Riddhi Vyas | D♭ Major | 5 | 3B | 95 BPM | ||
| Mane Chetari Ne Layo Mafatiya | Hetal Bharwad, Kaushik Bharwad | C Major | 9 | 8B | 80 BPM | ||
| Parki Potani Na Thay | Dilip Thakor | B♭ Minor | 8 | 3A | 150 BPM | ||
| Banale O Mola | Dilip Ray | B Minor | 9 | 10A | 170 BPM | ||
| Futya Kismat Mara Re | Mahendrasinh Vamaiya (Fumtaji) | A Major | 7 | 11B | 95 BPM | ||
| Vato Vihari Gaya | Dilip Thakor | E Major | 7 | 12B | 100 BPM | ||
| Tu Bijani Thayi To Mari Thate Chhu Taklif Padi | Shravan Makwana | F Minor | 6 | 4A | 82 BPM | ||
| Jena Jena Fulde Vadhavu Sikotar Maa Tane | Jayesh Kharvada | B Minor | 9 | 10A | 170 BPM | ||
| Kolar Tait Rakhaje | Jignesh Kaviraj | C Minor | 9 | 5A | 95 BPM | ||
| Viti Gaya Varsho | Vijay Shiholi | B♭ Major | 9 | 6B | 150 BPM | ||
| Gav Gav Me Momaji | Ramesh Dewasi | F♯ Minor | 9 | 11A | 95 BPM | ||
| Jesal Karile Vichar | Gopal Bharwad | A♭ Major | 7 | 4B | 172 BPM | ||
| Goga Arji Suno Mari | IshaVardan Gaghavi, Riddhi Vyas | F Minor | 8 | 4A | 93 BPM | ||
| Tame Hasi Re Gaya Dil Ma Vasi Re Gaya | Vijay Suvada | B Minor | 9 | 10A | 170 BPM |