Adeline Hotel's 'Came True' had a release date set for May 13, 2025. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Came True's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 2 in Came True by Adeline Hotel. Came True is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Came True by Adeline Hotel is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Decorating Time in the Sun | Thomas Flynn | G Major | 2 | 9B | 82 BPM | ||
| After always | h. pruz | B♭ Minor | 2 | 3A | 202 BPM | ||
| Fast - Demo | Why Bonnie | A♭ Major | 2 | 4B | 108 BPM | ||
| Under The Ground | kisses | D♭ Minor | 4 | 12A | 89 BPM | ||
| No One Above | Paul Spring | C Major | 3 | 8B | 103 BPM | ||
| Wildly Remote | MEMORIALS | D♭ Minor | 4 | 12A | 89 BPM | ||
| Into The Circle | Joe Harvey-Whyte, Bobby Lee | E Major | 1 | 12B | 75 BPM | ||
| Good Timing | Adeline Hotel | C Major | 0 | 8B | 118 BPM | ||
| The Report | Sternpost | D♭ Minor | 4 | 12A | 89 BPM | ||
| Standing At My Standing Desk | Will Epstein | D♭ Minor | 4 | 12A | 89 BPM | ||
| A Broken Cat | Shrunken Elvis, Rich Ruth, Spencer Cullum, Sean Thompson's Weird Ears | D Major | 3 | 10B | 130 BPM | ||
| Beyond the Break | Kristin Daelyn, Adeline Hotel | A♭ Major | 1 | 4B | 146 BPM | ||
| Titles Under Pressure | Asher White | D♭ Minor | 4 | 12A | 89 BPM | ||
| The Magnetic Fields | Charlotte Cornfield | G Major | 1 | 9B | 97 BPM | ||
| home | Ann Annie, Essie Humberston | D♭ Minor | 4 | 12A | 89 BPM | ||
| New Leicester | Sluice | E Minor | 7 | 9A | 160 BPM | ||
| Stupid Song | Fazed on a Pony | D♭ Minor | 4 | 12A | 89 BPM | ||
| Shades of Green | Tim Hill | D Major | 4 | 10B | 102 BPM | ||
| Midnight Wheels | Asher White | D♭ Minor | 4 | 12A | 89 BPM | ||
| The Raindrop Cars | The Innocence Mission | B Minor | 5 | 10A | 94 BPM | ||
| Big Stomp, Big Stomp | Keta Ester | D♭ Minor | 4 | 12A | 89 BPM | ||
| Cowgirl Suit | Emily Hines | C Major | 2 | 8B | 95 BPM | ||
| Bailey’s Moon | Scotty, Timothy Edward Carpenter | A♭ Major | 4 | 4B | 84 BPM | ||
| Just Like You | Adeline Hotel | C Minor | 3 | 5A | 79 BPM | ||
| Loon | Steve Gunn | G Major | 2 | 9B | 120 BPM |