On April 6, 2001, the song "It Comes to Me Naturally" was released by Charlie Robison. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. It Comes to Me Naturally's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Step Right Up". In this album, this song's track order is #10. Based on our statistics, It Comes to Me Naturally's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With It Comes to Me Naturally by Charlie Robison having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drifter | Mason Marek | G Major | 6 | 9B | 150 BPM | ||
| Clean Slate | Southall | D♭ Major | 5 | 3B | 128 BPM | ||
| One More Dance | Paul Eason | A Major | 7 | 11B | 146 BPM | ||
| Screw You, We're From Texas | Ray Wylie Hubbard | A Major | 8 | 11B | 138 BPM | ||
| Mary | The Damn Quails | D Major | 7 | 10B | 140 BPM | ||
| Jackson Station | The Band Of Heathens | G Major | 6 | 9B | 124 BPM | ||
| Irresponsible | Curtis Grimes | D♭ Major | 6 | 3B | 78 BPM | ||
| Die Midwestern | Arlo McKinley | A Major | 7 | 11B | 109 BPM | ||
| Another Story | The Damn Quails | G Major | 9 | 9B | 116 BPM | ||
| Proud Souls | Jason Boland & The Stragglers | A Major | 4 | 11B | 117 BPM | ||
| Why I Left Atlanta | Jason Eady | G Major | 4 | 9B | 136 BPM | ||
| Never Turn Around | Red Shahan | F♯ Major | 7 | 2B | 122 BPM | ||
| Constantly | Cross Canadian Ragweed | A Major | 7 | 11B | 123 BPM | ||
| You Can Have the Crown | Sturgill Simpson | A Major | 10 | 11B | 186 BPM | ||
| A Tornado Warning | Turnpike Troubadours | C Major | 8 | 8B | 142 BPM | ||
| Ode to Cody Jinks | DERYL DODD, Courtney Patton | G Major | 5 | 9B | 129 BPM | ||
| Dear Mom | Kolton Moore & the Clever Few | D♭ Major | 5 | 3B | 82 BPM | ||
| Waterbill | Red Shahan | A♭ Major | 8 | 4B | 123 BPM | ||
| Long Enough to Leave | Micky & The Motorcars | G Minor | 8 | 6A | 120 BPM | ||
| Drunken Poet's Dream | Hayes Carll | A Major | 5 | 11B | 138 BPM | ||
| Texas Home | Prophets and Outlaws | C Major | 5 | 8B | 185 BPM | ||
| Waiting For The Mail | Charlie Robison | E Minor | 6 | 9A | 117 BPM | ||
| Rayne, Louisiana | Bruce Robison | E Major | 5 | 12B | 74 BPM | ||
| I Been to Georgia on a Fast Train | Billy Joe Shaver | F Minor | 6 | 4A | 123 BPM | ||
| Crazy Eddie's Last Hurrah | Reckless Kelly | G Major | 9 | 9B | 148 BPM |